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THE GREEK

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 Nicholas George Gravenites(born October 2, 1938, Chicago, Illinois), with stage names like Nick "The Greek" Gravenites and Gravy, is a blues, rock and folk singer–songwriter, and is best known for his work with Janis Joplin, Mike Bloomfield and several influential bands and names of the generation springing from the 1960s and 1970s.  He currently resides in Occidental, California.
According to author and pop music critic Joel Selvin, Gravenites is "the original San Francisco connection for the Chicago crowd." Gravenites is credited as a "musical handyman" helping such San Francisco bands as Quicksilver Messenger Service and Janis Joplin's first solo group, the Kosmic Blues Band. Gravenites also worked extensively with John Cipollina after producing the first Quicksilver Messenger Service album. He and Cipollina formed the Nick Gravenites–John Cipollina Band which toured a lot in Europe.

When the band Big Brother and the Holding Company reformed from 1969 to 1972 (without Janis Joplin), Nick was the lead singer.

Gravenites was also a songwriter for the Paul Butterfield Blues Band, which consisted of Elvin Bishop, Paul Butterfield, Sam Lay and Michael Bloomfield, then formed The Electric Flag with Butterfield guitarist Mike Bloomfield. Gravenites is also responsible for writing the score for The Trip, produced the music for the movie Steelyard Blues. He produced the pop hit "One Toke Over the Line" for Brewer & Shipley and the album Right Place, Wrong Time for Otis Rush, for which he was nominated for a Grammy Award. Together with John Kahn, Gravenites produced the album 'Not mellowed with Age' by Southern Comfort (CBS S 64125 - 1970). Over the years, Gravenites would often use pianist Pete Sears in his band "Animal Mind", including on his 1980 Blue Star album on which Sears played keyboards and bass. They also played together in front of 100,000 people on Earth Day 1990 at Crissy Field, San Francisco. Sears also joined him for a tour of Greece.

He still performs live in northern California. Gravenites was inducted to the Blues Hall of Fame in 2003 for his song "Born In Chicago". He recently toured with the Chicago Blues Reunion and a new Electric Flag Band.
Nick Gravenites & Blue Gravy
1973-04-22
Record Plant
Sausalito, CA

KSAN FM Broadcast

with Paul Butterfield on harmonica
with Pete Sears on piano (track 5)
Setlist:

1 Intro Tom Donahue > Dekalb Blues
2 Follow Me Baby
3 Weird Old Crazy world
4 Left Hand Soul
5 Born in Chicago
6 Country Mechanic
7 Anna (fades)> Theme From Steel Yard Blues (Drive Again)
8 Buried Alive in the Blues > Outro Tom Donahue

Blue Gravy is: Nick Gravenites, Guitar & Vocals; Fred Olson, Guitar; Steve Funk, Keyboards; Doug Kilmer, Bass and Tony Dey, Drums.



NICK AND JERRY

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Gravenites and Garcia
Pete Sears and Animal Mind

South of San Francisco Cultural Center
San Francisco  4-29-90

01  Born In Chicago
02  Chicago Is Your Home
03  Tough As nails
04  I'll Change Your Flat Tire , Merle
05  Small Walk-in-Box
06  Band Intros - Down In The Bottom
07  Get Together
08  Dekalb Blues


IF YOU CAN'T BEAT'EM....DRIVE 'EM CRAZY

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 Steelyard Blues is a 1973 comedy crime film starring Donald Sutherland, Jane Fonda and Peter Boyle.

Tagline: If you can't beat 'em ... drive 'em crazy!

Because Fonda, Sutherland and Boyle were active in anti-war activities when this movie was made, it seems that Steelyard Blues was not given a wide release or much publicity. Nevertheless, it is memorable for its portrayal of oddball characters, and found a warm reception among college students and non-conformists. With its anti-establishment message and hip soundtrack by musicians Mike Bloomfield, Paul Butterfield, Nick Gravenites, Maria Muldaur and others, it is an iconic seventies film.

A tremendous soundtrack album to director Alan Myerson's film Steelyard Blues, which starred Jane Fonda, Donald Sutherland, and Peter Boyle, this collection feels like a side project collaboration between the Electric Flag and Paul Butterfield Blues Band with added performances by Maria Muldaur and Merl Saunders. The majority of the material is written and performed by the great Nick Gravenites and Mike Bloomfield, the 14 songs really standing up on their own as a work not dependent on the film and not feeling like they are mere chess pieces to supplement a Hollywood flick. Gravenites does a masterful job of producing, with "Common Ground" resembling a great lost Electric Flag song -- Annie Sampson trading off on the vocals with Gravenites as Janis Joplin did with him on In Concert. Muldaur co-wrote "Georgia Blues" with Bloomfield and Gravenites, while they gave Muldaur and Saunders the opportunity to contribute a tune by including their "Do I Care." "My Bag (The Oysters)" adds some pop/doo wop to the affair, a nice twist, and it borders on parody. Gravenites is always able to juggle his serious side with a tongue-in-cheek wink, and this interesting and enjoyable effort deserved much wider play.

HAVE YOU HEARD THE WORD

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 A brief break from the blues to wish everyone a Happy Easter! I know not all celebrate this holiday but I still thought it appropriate to highlight it's importance in my life as well as many others. I put together a comp of different songs that focused on the presence of God and Jesus in the life of a Christian. Enjoy the set of tunes that I placed together. Some may be just a tad bit off of the theme but most are enjoyable,  Some you may have heard while others are fairly rare but  fit the theme. It is always fun putting these comps together around a theme

01  i can feel him in the morning - grand funk railroad
02  spirit in the sky - norman greenbaum
03  god is back in town - aum
04  people get ready - vanilla fudge
05  let jesus bring you back - earthen vessel
06  jerusalem - emerson, lake and palmer
07  we believe in jesus - rick price
08  my jesus told me so - marshall tucker band
09  presence of the lord - blind faith
10  the lord's prayer - mind garage
11  holy man - spirit
12  hymn - barclay james harvest
13  make peace with jesus - gypsy
14  the cross - prince
15  jesus is just alright - byrds
16  kyrie eleison - electric prunes
17  jesus - velvet underground
18  my sweet lord - george harrison
19  i believe in god - masters of the airwaves
20  gotta serve somebody - bob dylan
21  the christian life - byrds
22  resurrection - aum
23  amazing grace - jeff beck
24  amen - rotary connection






CASTING PEARLS

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Casting Pearls
Mill Valley Bunch
Initial release : 1972

The only album released by the Mill Valley Bunch, a loose agglomeration of Bay Area musicians getting together for jam sessions.

Tracks

    I've Had It
    Young Girl Blues
    What Would I Do Without My Baby
    Settle It In The Bedroom, Baby
    Jimmy's Blues
    Let Me Down Easy
    Hollywood Blues
    Lettin' Go Ain't Easy
    Last Call Blues

 Musicians included

    Dino Andino - percussion
    Michael Bloomfield - guitar, vocals
    Ron Cimille - guitar
    Russell Dashiell - guitar, vocals
    Rick Dey - bass, vocals
    Tony Dey - drums
    Spencer Dryden - drums
    Barry Goldberg - piano
    Nick Gravenites - guitar, vocals
    Rick Jaeger - drums
    Jeffrey James - drums
    John Kahn - bass, piano
    Ira Kamin - keyboards
    Lee Michaels - keyboards
    Mark Naftalin - keyboards
    Fred Olsen - guitar
    Tom Richards - guitar
    Mark Ryan - bass
    Michael Shrieve - drums
    Craig Tarwater - guitar
    Chicken Billy Thorton - guitar
    Bill Vitt - drums
    Ace of Cups, Denise Jewkes, Jeneatte Jones And Co., Ron Stallings,    The Pointer Sisters - additional vocals

Credits

    Producer - Leo de Gar Kulka, Nick Graveniites, Mike Bloomfield
    Engineer - Leo de Gar Kulka
    Recorded at Golden State Recorders
The original 1972 LP jacket

CASTRO'S BLUES

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Peppy Castro( Emil Thielhelm )was the original lead guitarist with the classic psychedelic 60's band ..The Blues Magoos. The band formed in 1966 and released the Psychedelic Lollipop LP to great success. Two followup records would be released without much success and the original band lineup would split. However Peppy would move to a new record label and release two lp's with a new lineup and a different style of music. The Lp's would be centered around a Latin - Blues style but would still not provide a commercial success. The LP's "Never Go Back To Georgia" and "Gulf Coast Bound" were musically pretty good and I myself have always enjoyed them. Peppy would join the cast of "Hair" and form several more bands with unique musical variations. In the past couple of years the original Blues Magoos lineup would reform and a new LP was promised but still has not surfaced .


TIN MAN

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Going to take a little break from the blog for a while. Having a few aches and pains( nothing serious)
You older readers know what I am talking about and you younger ones have it to look forward to. I always enjoyed the above image. Kind of puts life in a true perceptiveness. Bill

OH MOTHER EARTH

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It's Earth Day.... so here is a compilation with the ECO balance as the theme!

Can you feel the manmade mist
As it starts to twist your lungs?
Slower than guns

Breathe deep
As you enter sleep
Feel secure it’s all around you

Can you see the golden brown
As it circles round your town
Town coming down

Smokin’ stacks on industry’s backs
In this land of a cigarette pack
Feel secure there all around you

Miles and miles of gasoline fumes
In the air like transparent tombs
Feel secure there all around you

DDT making bugs relax
There in your food like poison tacks
How about that?


I remember as a kid chasing a truck like this around the neighborhood as they sprayed for mosquitoes 

Tracks..

Spirit - Nature's Way
Iron Butterfly - Slower Than Guns
Joni Mitchell- Big Yellow Taxi
CSN&Y - Clear Blue Skies
John Mayall - Nature's Disappearing
Fred Neil - The Dolphins
QMS - Fresh Air
The Beach Boys - Don't Go Near The Water
Country Joe McDonald - Save The Whales
The Yardbirds - Shapes Of Things
Emerson,Lake. & Palmer - Black Moon
Marvin Gaye - Mercy Mercy Me (The Ecology)
Jefferson Airplane - Panda
The Moody Blues - How Is It (We Are Here)
The Turtles - Earth Anthem
Adrian Belew - Men In Helicopters
QMS - What About Me
Country Joe - Power Plant Blues
Stephen Stills - The Ecology Song
Blue Cheer - Ecological Blues
The Grateful Dead - Throwing Stones
Project grape Escape - Pollution
Spirit - Nature's Way (Orchestrated)
Neil Young & Crazy Horse - Mother Earth (Natural Anthem)



BBHC 67

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Going to swing back to the bay area Haight days for a post or two. I will get around to some reposts soon (I hope) so be patient. Here's a set from BBHC . I have to be truthful and say that they were not really my favorite SF band but I respect their impact on bay area music during that great timeline.

Big Brother & the Holding Company

Disc One (of two) – 63:14
Unknown dates, 1967
Matrix, San Francisco

d1t01. Flower in the Sun  4:39
d1t02. High Heel Sneakers  3:44
d1t03. Song intro > Turtle Blues  7:11
d1t04. Tuning  0:33
d1t05. "…your best friend is a Psychedelic Ranger, your policeman."  0:29
d1t06. tuning  0:37
d1t07. song intro > Bye Bye Baby  4:43
d1t08. tuning  0:11
d1t09. Song intro > Brownsville > "...we  be back a little bit later…"  6:28
d1t10. "…their second set of the evening, BBATHC." > Down on Me  3:12
d1t11. song intro
d1t12. The One (Intruder)  3:43
d1t13. Blindman  2:58
d1t14. Ball and Chain  7:57
d1t15. Amazing Grace > rap  8:51  >
d1t16. Summertime (x)  7:33
d1t17. Applause  0:05
d1t18. "…BBATHC, they'll be back tomorrow night…"  0:10


Disc Two (of two) – 54:30
Benefit for the Matrix at the Fillmore 6/16/1968

d2t01. "Everybody up…" > intro > Catch Me Daddy  6:26
d2t02. Combination of the Two  7:20
d2t03. I Need a Man to Love  6:40
d2t04. Summertime  4:54
d2t05. Road Block  9:43
d2t06. Mr. Natural  7:50
d2t07. Farewell Song  5:20
d2t08. Encore:  Piece of My Heart > outro > "…Steve Miller…"  6:16






THE RETURN OF DOUG SALDANA

YOUNG'S DUCKS

BEFORE THE JOKER

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An interesting short set from the Steve Miller Band after reforming the band. I had enjoyed the early Miller band LP's but kind of steered away from his work after what I call "selling out" to the pop lifestyle.


Steve Miller Band
Steve Miller- guitar and vocals
Bobby Winkelman- rhythm guitar
Ross Valory- bass
Jack King- drums
Pepperland
San Rafael, Ca.
September 1970 (exact date unknown)

 1: ?  3:49
  2: band introductions > never kill another man 5:14
  3: brave new world  3:38
  4; good morning to you  4:22
  5: kill and come play the drum (fandango)  8:16
  6: ? (harmonica jam with drum solo)  12:05
  7: I love you (with bass solo)  15:26
  8: going to the country  4:56
  9: children of the future  9:13






TRANS LOVE AIRWAYS

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It's Friday, March 10 and Jefferson Airplane touches down at
Winterland in their hometown of San Francisco for a weekend of
concerts, supported by blues legends Jimmy Reed and John Lee
Hooker. A sense of moment is in the air: the second single from the
soon-to-be-released SURREALISTIC PILLOW album is only a few weeks
old and the A-side ("Somebody To Love"), on the strength of Grace
Slick's searing lead vocal, has begun to vault them out of the San
Francisco club scene onto the national stage. AM radio will soon
seize upon the sound and the record will catch fire in a big way,
shaking the band to its very foundations before redefining it in a
big way.
What is perhaps most remarkable about thisperformances is
that it captures a very brief moment in time when Jefferson
Airplane was entering its full instrumental potential while
founding member Marty Balin was still holding the vocal reigns of
the group. Just listen to the first night's performance of "Don't
Slip Away" from JEFFERSON AIRPLANE TAKES OFF: the album's cautious,
guitar-driven performance is here replaced with a thunderous bass
solo intro by Jack Casady, who is quickly joined by the joyous
swing drumming of Spencer Dryden; the two of them set up an
irresistable groove before guitarists Jorma Kaukonen and Paul
Kantner can jump in. The final instrumental playoff is an
incredible, charging showcase for the band as a whole, with Balin
riding the crest with a voice that is at once virile and vulnerable
and romantic in the best sense. Amazingly, the song's performance
on the following night (when Grace makes the surprise move of
joining Marty on the chorus with an engaging harmony part) would be
its last known appearance on the band's playlist. Also, given rare
public performance on all three nights is "My Best Friend," written
by the group's ex-drummer (and Moby Grape founder) Alexander "Skip"
Spence, which happened to be the first 45rpm single picked from
SURREALISTIC PILLOW by RCA. Reportedly, Casady and Kaukonen loathed
the sweet, AM-friendly number and it was retired from live
performance as soon as "Somebody to Love" freed the group from
their obligation to plug the earlier single.

The band's rising star, Grace Slick, is virtually absent from the
first set, offering some soulful background vocal shadings to
"Tobacco Road" (one of the Airplane's best performances of this
standard) before stepping up to the front mike for "Somebody to
Love." Even seasoned collectors of live Airplane tapes will be
startled by this performance of the song, which stretches out to
incorporate a like-themed Balin stomper called "Leave You Alone."
While it's a lusty, gripping performance, it's hard to get past the
idea that Marty was (subconsciously or not) jealously intruding on
Grace's already meager time in the spotlight, and keeping her "in
her place." (The album and single have yet to be released, but
"White Rabbit" is already attracting the loudest applause when it's
announced.) Similarly, Jorma Kaukonen is given one token vocal
spotlight per night; on all three nights, Jorma burns his way
through "Come Back Baby" (introduced by Marty as "Jorma's Blues"),
a wildcat blues groove which he, Casady, Dryden, Balin (on maracas)
and possibly Kantner had laid down in Hollywood's RCA Studio B only
three days earlier. Jorma's first studio vocal, "Come Back Baby"
sounds like it was being primed for a slot on the band's next
album, but the song remained unreleased until it showed up on the
JEFFERSON AIRPLANE LOVES YOU boxed set, decades later, in 1992.
Review by Tim Lucas

Jefferson Airplane
Winterland
San Francisco, CA, U.S.A.


March 10, 1967
SET 1
And I Like It
Don't Slip Away
Tobacco Road
Somebody to Love
Leave You Alone
SET 2
High Flying Bird
She Has Funny Cars
Let Me In
My Best Friend
Come back Baby
White Rabbit
3/5 of a Mile in 10 Seconds


AIR FARE

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 March 11, 1967
SET 1
My Best Friend
Come Back Baby
Today
Don't Slip Away
Plastic Fantastic intro
SET 2
The Other Side of This Life
Get Together intro
Bringing Me Down
Today
Running Round This World
3/5 of a Mile in 10 Seconds
Fat Angel
Thing//
It's No Secret

LANDING GEAR

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The complete Tim Lucas' Review

It's Friday, March 10 and Jefferson Airplane touches down at
Winterland in their hometown of San Francisco for a weekend of
concerts, supported by blues legends Jimmy Reed and John Lee
Hooker. A sense of moment is in the air: the second single from the
soon-to-be-released SURREALISTIC PILLOW album is only a few weeks
old and the A-side ("Somebody To Love"), on the strength of Grace
Slick's searing lead vocal, has begun to vault them out of the San
Francisco club scene onto the national stage. AM radio will soon
seize upon the sound and the record will catch fire in a big way,
shaking the band to its very foundations before redefining it in a
big way.

What is perhaps most remarkable about these three performances is
that they capture a very brief moment in time when Jefferson
Airplane was entering its full instrumental potential while
founding member Marty Balin was still holding the vocal reigns of
the group. Just listen to the first night's performance of "Don't
Slip Away" from JEFFERSON AIRPLANE TAKES OFF: the album's cautious,
guitar-driven performance is here replaced with a thunderous bass
solo intro by Jack Casady, who is quickly joined by the joyous
swing drumming of Spencer Dryden; the two of them set up an
irresistible groove before guitarists Jorma Kaukonen and Paul
Kantner can jump in. The final instrumental playoff is an
incredible, charging showcase for the band as a whole, with Balin
riding the crest with a voice that is at once virile and vulnerable
and romantic in the best sense. Amazingly, the song's performance
on the following night (when Grace makes the surprise move of
joining Marty on the chorus with an engaging harmony part) would be
its last known appearance on the band's playlist. Also, given rare
public performance on all three nights is "My Best Friend," written
by the group's ex-drummer (and Moby Grape founder) Alexander "Skip"
Spence, which happened to be the first 45rpm single picked from
SURREALISTIC PILLOW by RCA. Reportedly, Casady and Kaukonen loathed
the sweet, AM-friendly number and it was retired from live
performance as soon as "Somebody to Love" freed the group from
their obligation to plug the earlier single.

The band's rising star, Grace Slick, is virtually absent from the
first set, offering some soulful background vocal shadings to
"Tobacco Road" (one of the Airplane's best performances of this
standard) before stepping up to the front mike for "Somebody to
Love." Even seasoned collectors of live Airplane tapes will be
startled by this performance of the song, which stretches out to
incorporate a like-themed Balin stomper called "Leave You Alone."
While it's a lusty, gripping performance, it's hard to get past the
idea that Marty was (subconsciously or not) jealously intruding on
Grace's already meager time in the spotlight, and keeping her "in
her place." (The album and single have yet to be released, but
"White Rabbit" is already attracting the loudest applause when it's
announced.) Similarly, Jorma Kaukonen is given one token vocal
spotlight per night; on all three nights, Jorma burns his way
through "Come Back Baby" (introduced by Marty as "Jorma's Blues"),
a wildcat blues groove which he, Casady, Dryden, Balin (on maracas)
and possibly Kantner had laid down in Hollywood's RCA Studio B only
three days earlier. Jorma's first studio vocal, "Come Back Baby"
sounds like it was being primed for a slot on the band's next
album, but the song remained unreleased until it showed up on the
JEFFERSON AIRPLANE LOVES YOU boxed set, decades later, in 1992.

Other weekend highlights: the kaliedoscopic intro to "The Other
Side of This Life" on the second night, with Jorma's giddily
elastic, dribbling lead carried proudly on the shoulders of Paul
Kantner's chiming Rickenbacker 12-string; Kantner's breathy, time-
bending guitar accents in "Fat Angel" rising from a whisper to
almost horn-like prominence under the first culmination of Jorma's
lead, and Grace joining tentatively in on keyboard; a jam called
"Thing," which had been kicking around in the band's repertoire for
about a year (an earlier, different performance showed up on Koala
Records' 7/22/66 Avalon Ballroom bootleg FAT ANGEL); the first of
only two known live performances of JALY's "Don't Let Me Down" (the
second came in 1970), in which Marty launches on a stoned rant
about the general lameness of folks from other cities they've
visited on tour, and women in general; and a Sunday night jam that
builds to a newly separate version of "Leave You Alone," which
itself segues into a riveting Casady bass solo -- THE Jack moment
of this three-disc offering. (The opening portion of the jam
previously appeared, cut off at the segue into the song, on the
aforementioned FAT ANGEL boot, under the title "Leave You Alone."
Both this and "Things" were later included on the 2400 Fulton
CD/tape tree compilation JEFFERSON AIRPLANE RARITIES in 1999.)

Once "Somebody to Love" and the follow-up "White Rabbit" single
were released, Grace Slick was granted more opportunities to share
the stage with Marty Balin as an equal partner. That equality was
not long to last, given the attention paid to the band's laser-
eyed, laser-tongued siren by the press. That's why I say that these
three nights at Winterland -- for Marty's fans and Airplane
purists, especially -- capture a very special, fleeting moment in
the history of a great band that was bound for different times. On
these discs, the band occupies a twilight state between the band
they were, and the band they would be.





 March 12, 1967
It's No Secret
White Rabbit
Bringing Me Down
Don't Let Me Down
jam
Leave You Alone//
Today
She Has Funny Cars
High Flying Bird
And I Like It
3/5 of a Mile in 10 Seconds
My Best Friend
Come Back Baby//


MR SPACEMAN

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Listening to JA always leads me to a little sci fi. I guess it is because Kantner always seemed to provide a lot of that genre in his song writing. Of course you will find some of his work in this comp with the sci fi theme

                                                                                                                                                                                        1   exp - jimi hendrix experience
2   have you seen the saucers - jefferson airplane
3  cosmic wheels - donovan
4   spaceman - nilsson
5   spaceship orion - ozark mountain daredevils
6   space cowboy - steve miller band
7   space truckin' - deep purple
8   c.t.a. 102 - byrds
9   2000 light years from home - rolling stones
10  telstar - tornados
11  space captain - joe cocker
12  love theme from blade runner - paul kantner
13  darlin' dan (the rocket man) - country joe mcdonald
14  gorn attack - spirit
15  children of the sun - billy thorpe
16  robot salesnen - intergalactic touring band
17  horsell commons and the death ray - jeff wayne
18  ufo - soul inc.
19  starship - mc5
20  sunfighter - paul kantner & grace slick
21  starship ride - kingfish
22  interstellar overdrive - pink floyd
23  mr. spaceman - byrds
24  tears in rain(time to die) - Vangelis( bladerunner soundtrack)


RAY HARRYHAUSEN R.I.P.

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Next to my love for my generation's music Sci Fi/Fantasy has always been one of my favorite endevors.
I give you a small sampling of soundtrack music to some of Ray Harryhausens best movies. They were treasures to me (and still are) in my childhood and the exciting works on screen by Ray still fascinate me when I pull out a DVD and rewatch the films I have seen so many countless times.Ray Harryhausen  was 92 



ROBOT SALESMAN

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 Part two of the critically acclaimed ( or was that critically deranged? ) Robo - Boy science fiction collection.

 25  close encounters - grateful dead
26  u.f.o. - country joe mcdonald
27  martha under venusian sun - paul kantner
28  flash's theme - queen
29  martian boogie - brownsville station
30  creature with the atom brain - roky erickson
31  space oddity - byrds
32  rocket ship - kathy mccarthy
33  alien - jefferson starship
34  astronomy domine - pink floyd
35  starship - country joe mcdonald
36  child of the moon - rolling stones
37  out of limits - marketts
38  have you seen the stars tonite? - paul Kantner
39  lost in the ozone - commander cody
40  mr spaceman - holy modal rounders
41  bionic unit - spirit
42  it came out of the sky - creedance clearwater
43  space oddity - david bowie
44  rocket man - elton john
45  machines - lothar and the hand people
46  space child - spirit
47  third stone from the sun - jimi hendrix
48  after the gold rush - prelude

THE SONS

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Sons of Champlin
Live at The Record Plant
Sausalito, California
1972 06-17
Broadcast by KSAN


Here is a super nice crystal clear stereo soundboard from vaults of KSAN
and the Record Plant series on KSAN, where many of the Bay Area's best
and brightest performed for the FM Audience. They are currently having a resurgence of sort led by original member Bill Champlin


Set List:

1.  KSAN Introduction
2.  Day Tripper
3.  No Mo
4.  For Joy
5.  Without Love
6.  Fat City
7.  Welcome to the Dance
8.  All and Everything
9.  The Swim
10. Right On
11. Linda Lou
12. Lightin'
13. Outtro

Personnel
Bill Champlin – Guitar, Keyboards, Saxophone, Vocals
Michael Andreas – Horn
Terry Haggerty – Guitar, Vocals
Geoffrey Palmer – Bass, Keyboards, Saxophone, Tabla, Vibe Master, Vibraphone, Vocals
James Preston – Drums, Percussion
David Schallok – Bass,Vocals
Mark Isham – Horn
Phil Woods – Horn



ARG!!

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 Long lived San Francisco band who had their first concert June 12, 1973 and then operating on an on-off basis throughout the 70’s/80´s. Despite their popularity in the Bay Area the band failed to sign to a major label but did record several albums for smaller labels.

Terry & The Pirates
Record Plant
Sausalito, CA
KSAN FM 95,5 SF
1973-06-24


Terry Dolan - Guitars & Vocals
Greg Douglass - Guitars
John Cipollina - Guitars, Electric 12-String on 7
Hutch Hutchinson - Bass
David Weber - Drums

Setlist:
01. Intro Instumental Music > Tom Donahue Intro   1:55
02. Fifth Of Bliss   6:09
03. Ready For The Country   4:05
04. Angie   5:55
05. Truer Than Blue   6:12
06. Inlaws And Outlaws   6:09
07. Walking The Plank   4:14
08. Tom Donahue's Band Introduction   0:42
09. Rave On   3:36
10. Nothing To Lose   4:37
11. Purple And Blonde   5:36
12. Rainbow   3:59
13. Queen Of Thieves > Tom Donahue Outro   5:56


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