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SDQ LIVE FROM THE DILLO

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A1 - Dynamite Woman 
A2 - One Way, Crash Course Love Affair 
A3 - My Girl 
A4 - Drivin' Wheel 
B1 - Starry Eyes 
B2 - Emotional Goner 
B3 - Henrietta 
B4 - Glad For Your Sake 
B5 - Knock On Wood 


Recorded live at the Armadillo in Austin, TX on the night of May 10, 1977





 1. Introduction
  2. It's Just The Same Ole Story
  3. Get On Up
  4. I Pity The Fool
  5. Think About It, Baby
  6. Carol
  7. Susie Q
  8. Crazy Arms
  9. George Jones Song
  10. Nuevo Laredo
  11. Purple Haze
  12.Jazzer

More iive SDQ from the Armadillo World Headquarters  May of 1977



A ONE, A TWO ,A THREE.........

TEXAS MYSTERY

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I do not have any info on this band.
If you have info please clue me in



I HOP

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Pittsburgh power trio Fresh Blueberry Pancake formed in 1968, comprising singer/bassist Tony Impavido, guitarist John Behrens, and drummer Geoff Reidell. After two years of local gigging, the group built up enough of a fan base and enough original material to record a demo tape, and in 1970 they self-released Heavy -- issued in a pressing of just 54 copies, 


Tracklist:

01. Hassles
02. Being in Town
03. Clown on a Rope
04. Bad Boy Turns Good
05. I Call Him Lord
06. Down On the Farm
07. Where's The Sun
08. Sleep Bound
09. Stranded


HAPPY TRAILS DAN

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Daniel Ivan Hicks (December 9, 1941 – February 6, 2016) was an American singer-songwriter who combined cowboy folk, jazz, country, swing, bluegrass, pop, and gypsy music in his sound. He led Dan Hicks and His Hot Licks. He is perhaps best known for the songs "I Scare Myself" and "Canned Music." His songs are frequently infused with humor, as evidenced by the title of his tune, "How Can I Miss You When You Won't Go Away?" 
Throughout his decades-long career, Dan Hicks stood as one of contemporary music's true eccentrics. While steeped in folk, his acoustic sound knew few musical boundaries, drawing on country, call-and-response vocals, jazz phrasing, and no small amount of humor to create a distinctive, albeit sporadic, body of work that earned him a devoted cult following. 

SMOKIN'

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"Smokestack Lightning" (or "Smoke Stack Lightning" as listed on the original single, but "Smokestack Lightnin'" on re-releases) is a classic of the blues. Howlin' Wolf recorded it in 1956, and it became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it.

Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s,when he was performing with Charley Patton in small Delta communities. The song, called "a hypnotic one-chord drone piece",
It draws on earlier blues, such as Tommy Johnson's "Big Road Blues" (1928, , the Missisippi Sheiks'"Stop and Listen Blues" (1930), and Charley Patton's "Moon Going Down" (1930, Paramount  Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In 1951, he recorded the song as "Crying at Daybreak" . It contains the line "O-oh smokestack lightnin', shinin', just like gold, oh don't you hear me cryin'", similar to the Mississippi Sheiks' lyric "A-ah, smokestack lightnin', that bell shine just like gold, now don't you hear me talkin'".

In Chicago in January 1956, Howlin' Wolf recorded "Smokestack Lightning". The song takes the form of "a propulsive, one-chord vamp, nominally in E major but with the flatted blue notes that make it sound like E minor", and lyrically it is "a pastiche of ancient blues lines and train references, timeless and evocative".

 Longtime Wolf guitarist Hubert Sumlin is credited with the distinctive guitar line. Howlin' Wolf sang and played harmonica, backed by pianist Hosea Lee Kennard, guitarists Willie Johnson and Hubert Sumlin, bassist Willie Dixon, and drummer Earl Phillips.


In 1956, "Smokestack Lightning" reached number 11 in the Billboard R&B chart.
 When it was released by Pye International Records in the UK in 1964, it peaked at number 42 in the singles chart.
 It was later included on the albums Moanin' in the Moonlight and The Howlin' Wolf Album.

01   howlin' wolf
02   muddy waters
03   oblivion sect
04   electric prunes
05  green on red
06   manfred mann
07   yardbirds
08   etta james
09   john lee hooker
10   edgar broughton band
11   vips 
12   group axis
13   watermelon slim
14   who
15   others
16   animals
17   distortions
18   outcasts
19   smokestack lightnin'
20   george thorogood
21   coloring book
22   quicksilver messenger service
23   mike harrison
24   grateful dead


WASSUP !!

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A little note for those that may be interested. The instra-mentals  postings of #6. #12 and #15 are about to expire  on zippyshare. When the link goes I will not be reposting them  So if want them better get them quickly.  And  another note  I have reposted links on some of Ruby Starr's material as requested by Grant

DANISH IRON

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Left to Right... Mike Pinera, Doug Ingle, Larry(Rhino) Reinhardt
Don Bushy and Lee Dorman

01. Soldier In Our Town 
02. Stone Believer 
03. Easy Rider
04. Butterfly Bleu
05. In-a-Gadda-Da-Vida






MIND EXTRACTIONS

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01  it's all in your mind - clarence carter
02  you're mind and we belong together - love
03  a satisfied mind - international submarine band
04  your mind has left your body - kantner,slick.& freiburg
05  break my mind = box tops
06  with all in mind - clear light
07  legend of a mind - moody blues
08  mind gardens - byrds
09  mind flowers - ultimate spinach
10  friday on my mind - easybeats
11  blow my mind - critters
12  blew mind - hard times
13  canyons of your mind - bonzo dog doo-dsh band
14  mind games - john lennon
15  fallin off the edge ( of my mind) - seeds
16  did you ever have to make up your mind - lovin'spoonful
17  one track mind - knickerbockers
18  piece of mind - blue cheer
19  the last thing on my mind - move
20  somethings just stick in your mind - rolling stones
21  mind excursion - trade winds
22  journey to the center of your mind - slade
23  all in my mind - quicksilver messenger service
24  change your mind - neil young



IOWA BLUES PSYCHEDELIC HAIGHT

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Linn County formed around 1966 in Linn County, Iowa, USA as the Prophets". In 1968, the band signed with Mercury Records, moved to San Francisco, California, and changed its name to Linn County. They released their first album Proud Flesh Soothseer in 1968 and toured, performing with bands and people such as: Albert King, Led Zeppelin, Sly & the Family Stone, Eric Burdon & the Animals and Ten Years After. They were becoming more well known when the group broke up shortly after Clark Pierson left to join Janis Joplin and Steve Miller left to join Elvin Bishop. Fred Walk kept the band together with different personnel for a time then disbanded the group in 1973. Linn County also headlined or played with Ike & Tina Turner, Earl Hooker, John Lee Hooker,Paul Butterfield, Bo Diddley, Howlin' Wolf, Elvin Bishop, Charlie Musselwhite, Steve Miller, Albert Collins and a host of others during rock festivals. When Linn County signed with Mercury, they were given the (then) unheard of sum of $50,000.00 as a signing bonus plus funds to move the group from Chicago to San Francisco   


Tracks are as following;

1-5    Fever Shot 

6-9    Proud Flesh Soothsayer

10-17  Till The Break Of Dawn

18-21  Stephen Miller solo

22-24  Flying Bear Medicine Show
       Linn County and Friends

The solo lp Stephen Miller included the members of Linn County on the
selected tracks 


MEDICARELESS

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Have not done any posts lately. Been under the weather. Found a few nuggets about your health and various conditions. As I feel better maybe I can get back in the blog. 

01 just dropped in - first edition
02 breath - pink floyd
03 i get out of breath - turtles
04 nervous - ian whitcomb
05 rockin' pneumonia and the boogie flu - johnny rivers
06 blisters - lee oskar
07 i'd rather be blind - christine perfect
08 manic depression - jimi hendrix experience
09 i'm going blind - redeye
10 high blood pressure - shadows of knight
11 bloodshot eyes - bees make honey
12 why does it hurt when i pee - frank zappa
13 penicillin penny - dr hook @the medicine band
14 take up thy stethoscope and walk - pink floyd
15 fever - mccoys
16 medical love song - monty python
17 black lung heartache - joe bonamassa
18 compound fracture - my morning jacket
19 tokin' chokin' - cactus
20 19th nervous breakdown - standells
21 down with disease - phish
22 heart attack - blues magoos
23 98.6 - keith
24 feelin' alright - grand funk railroad


PSYCHEDELIC PROMOS AND RADIO SPOTS

MORE RADIO SPOTS AND WHATEVER

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Another batch of ads ,promos and other spots


A FINAL LOOK AT RADIO SPOTS

CORKY'S COMBO

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Corky Laing 
WITH: Ian Hunter, Mick Ronson AND Felix Pappalardi

Plus special guest appearances by Eric Clapton, Dickey Betts, Leslie West, John Sebastian and Todd Rundgren 

"This record is an assortment of secret sessions," says legendary drummer Corky Laing. "It was so secret that at one time the record company couldn't even find the tapes."   

Corky Laing, best known as the thunderous drummer behind the dense magnitude of rock icon Mountain needed something of substance to dig his teeth into. And in 1978 it came to him by way of Elektra/Asylum president Steve Wax, who approached Laing with an offer to create a superstar band of sorts, assembling the best of a working all-star line up. Wax suggested Laing give Ian Hunter (Mott The Hoople) a ring in an effort to pair the two and build a nest for song writing. The partnership proved productive, with the song "Easy Money" immerging as the first creation. Its lyrics reflected a loose observation of a society drenched in sinuous overindulgence - a time Laing openly refers to as the "Champagne and Credit Card days." 
   
 Rundgren's passion for harmonies had the entire band in the recording studio immersed in vocal calisthenics for days and nights at a time. Some of the secret session's songs sprang from conversations and meetings Laing had during his many years in rock and roll. "I remember one night in LA when Greg Allman came over to my hotel after an argument with Cher. He seemed pissed out of his mind and just kept repeating, the key don't fit that lock anymore." The humor of the incident was the inspiration for the song "The Best Thing."   
On another occasion, Laing was jamming with Paul Butterfield late one night when Butterfield started playing the song "Just When I Needed You Most" written by Randy Van Wermer. The secret sessions were eventually flown to Criteria Studios in Miami where they were engineered by Steve Klein. Pappalardi came along to lend a hand and was first to suggest using Leslie West. "When we called, he was ready to roll! He was so ripe; he played some of his best stuff almost to the point of excess", enthuses Laing. In addition to the secret sessions within, two bonus tracks appear on this album that were originally on Laing's first studio effort, "Makin' It On the Street". "On My Way To Georgia", a blues-y number written by Laing and Leslie West, hosted the star studded talents of Eric Clapton and Dickey Betts. A second number, "Growing Old With Rock and Roll" still remains one of Laing's personal themes. In his never ending pursuit of musical creativity, Laing has formed a band with former Spin Doctors' guitarist and writer, Eric Schenkman, who are recording a joint project under the band name Cork.  
"Silent Movie", a slow rocker, lyrically told the story of a high school relationship run amuck and confirmed the Hunter/Laing collaboration. To fill in the musical gaps, the two sent out a flood of calls in an effort to bring in added depth and top-notch talent. And it was Mick Ronson that made the perfect fit. The need for a bass player led to Laing calling up his old Mountain band mate, Felix Pappalardi. The superstar cast was now in place. The atmosphere in the studio soon became an open party jam with cases of beer and the thick haze of reefer stoking the album tracks. Laing admits, "Those were great sessions because there were no expectations." Midway through the band's recording, Elektra/Asylum changed upper management. Laing's budget was soon cut short. A new wave of heavy hitters were filling the record racks with names like The Cars and Elvis Costello. "The project was dropped like a bad transmission", says Laing. "We took a couple months off and regrouped in Bearsville, NY in the fall of 1978, which was an exciting place to be." Laing based his operation in Levon Helm's recording studio. To help out with vocals, Ian suggested a call go out to Todd Rundgren, living close by along a narrow wooded path, remember red by Laing as a real life "Sleepy Hollow". 



001. Easy Money (02:50)
002. Silent Movie (03:20)
003. I Ain't No Angel (03:19)
004. The Best Thing (03:29)
005. I Hate Dancin' (02:40)
006. The Outsider (07:46)
007. Just When I Needed You Most (03:06)
008. Lowdown Freedom (04:12)
009. On My Way To Georgia (03:42)



MATRIX SOLUTION

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A name known only to hardcore devotees of the early San Francisco psychedelic scene, the Final Solution never did release a record, although they did play some gigs around that time (including one at the Fillmore), and played for a month at the Red Dog Saloon in Virginia City, NV. Their modal distorted guitars and instrumental sections bore some similarities to those used by the Great Society and other early San Francisco groups. Yet the Final Solution had a grimmer, more downcast outlook, both in their lyrics and in their droning, minor-keyed melodies.

Most of the original material performed by the Final Solution was written by lead guitarist Ernie Fosselius and bassist Bob Knickerbocker, although rhythm guitarist John Yager sang lead. They did come close to a deal with Mainstream, the Chicago label that recorded several minor Bay Area bands (and one major one, Big Brother & the Holding Company), but nothing came out. In late 1966, interestingly, drummer Jerry Slick -- formerly in the Great Society, which also included Grace Slick, his wife at the time -- joined, adding parts from Great Society tunes to some of the Final Solution's arrangements. (In particular, on their 1966 rehearsal tapes, you can hear sections of the Great Society's "Grimly Forming" and "Father" lifted virtually verbatim.) The discouraged band broke up in 1967, and Fosselius and Knickerbocker went on to work in film.

Tapes of the band, recorded in 1966 at rehearsals and live at the Matrix club in San Francisco, do survive, and here's betting that -- given the intense interest in psychedelic rock from this time and place -- they'll see the light of day before most of you reading this get lowered into the ground. Although not close to the upper echelon occupied by the best of their San Francisco peers, much of it's worthwhile, particularly their most folk-rock-aligned stuff, such as "Just Like Gold" and "Bleeding Rose." On numbers like "So Long Goodbye" there's a garage rock rush, and they get into raga-rock on songs like "If You Want," with a guitar Fosselius constructed by putting a Harmony guitar neck onto a mandolin. A version of "Bleeding Rose," recorded at rehearsals with Slick on drums, did emerge on a flexi-disc included with the first issue of the San Francisco rock fanzine Cream Puff War in 1991.





1  Intro
2. Tell Me Again
3. Bleeding Roses
4. If You Want
5. You Say that You Love Me
6. Got My Mojo Working
7. Time Is Here and Now
8. Bo Diddley Meets Sandy Nelson
9. Truck Drivin' Son of a Gun
10. Just Like Gold
11. Misty Mind
12. So Long Goodbye
13. America the Beautiful Part 1
14. America the Beautiful Part 2


HAVE YOU HEARD THE WORD

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01  i can feel him in the morning - grand funk railroad
02  spirit in the sky - norman greenbaum
03  god is back in town - aum
04  people get ready - vanilla fudge
05  let jesus bring you back - earthen vessel
06  jerusalem - emerson, lake and palmer
07  we believe in jesus - rick price
08  my jesus told me so - marshall tucker band
09  presence of the lord - blind faith
10  the lord's prayer - mind garage
11  holy man - spirit
12  hymn - barclay james harvest
13  make peace with jesus - gypsy
14  the cross - prince
15  jesus is just alright - byrds
16  kyrie eleison - electric prunes
17  jesus - velvet underground
18  my sweet lord - george harrison
19  i believe in god - masters of the airwaves
20  gotta serve somebody - bob dylan
21  the christian life - byrds
22  resurrection - aum
23  amazing grace - jeff beck
24  amen - rotary connection






DO YOU BELIEVE ?

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00  gloria patria - h.p. lovectaft
01  some kind of wonderful - mark farner band
02  family bible - johnny cash
03  run sinner run - spirit
04  be born again - salloom,sinclair & the mother bear
05  brother moses - overland stage
06  jesus is coming pt1 - sons of champlin
07  heavens gonna be a blast - wilson mckinley
08  do you believe - storybook people
09  risen savior - concrete rubber band
10  writing on the wall - mark farner
11  open up your heart - god unlimited
12  old rugged cross - all saved freak band
13  come quickly jesus - maranathal 2
14  11th hour and mear the end - our generation
15  peace in the valley - u.s. apple corp
16  one way - armageddon experience
17  god - cycle
18  ride on king jesus - u.s. apple corp
19  the outlaw - dove
20  down in thw churchyard - flying burrito brothers
21  cause jesus loves me - joyful noise
22  there is still hope in jesus - all saved freak band
23  swing low sweet chariot - solar circus
24  holy are you - electric prunes


SWEET LINDA

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Linda Tillery is an American singer and percussionist born in San 
Francisco.Tillery was born in 1948 to parents who migrated from Texas to San Francisco.

Tillery first came to prominence as the lead singer in San Francisco group The 
Loading Zone from 1968 to 1969. After that group split in 1970 she recorded her 
debut album ( Sweet Linda Divine) for CBS Records, and worked as a studio musician 
through much of the 1970s, playing drums on albums by Santana, Mary Watkins, and 
Teresa Trull. She became a producer and staff artist at Olivia Records late in the
decade, and released a second full-length album on the label in 1978
Her association with Olivia led her into the genre of women's music; she has 
collaborated with June Millington, Deirdre McCalla, Barbara Higbie, Holly Near, and 
Margie Adam, as well as with pop musicians like Kenny Loggins, Huey Lewis, and Bobby 
McFerrinShe produced the music for the documentary film "A Question of Color", and created 
and performed the music for the dance, Invisible Wings, with choreographer Joanna 
Haigood.In the 1990s, she began exploring African music, forming the group Cultural Heritage 
Choir. She also plays with her own band Skin Tight, a jazz/blues outfit.


 

A-1:I'll Say It Again (4:41)
A-2:Same Time, Same Place (6:21)
A-3:I Love My Dog (4:23)
A-4:Boog-A-Dunk (4:24)
A-5:Young Girl Blues (5:39)
B-1:Good Day Sunshine (2:45)
B-2:Cigarettes And Coffee (7:21)
B-3:Things I Just Don't Understand (3:53)

There is another track on the LP but oddly it is missing on the file I have  Maybe some one out there in blog land can be kind and provide that missing tune

I've Got a Tiger By The Tail


WILD CHILD

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Track listings may be off but still should follow the original list of songs. Reposting required a breakdown of the full file.


Problem Child
Pine Street Theatre
Sept. 3 1987

01 Intro.
02 It's Your Monkey Now
03 Hired Hand
04 Moonlight Traveler
05 Prayers
06 Summertime
07 Rumble
08 One For The Money
09 Blind Love
10 Fever Dreams
11 Rooster
12 Running Blue
13 All Worth The Price You Pay
14 Jungle Love

Chris Cole - lead vocals, harmonica
John Cipollina - guitar, vocals on "Fever Dreams"
Greg Douglass - guitar, backing vocals, lead vocals on "All Worth The Price You Pay"
Les Lizama - bass
Greg Elmore - drums


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