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FOR A CAUSE

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Stoneground was a rock band formed in 1970 in Concord, California. Originally a trio, Stoneground expanded to a 10-piece band by the time of their eponymous 1971 debut album. The group appeared in two films, Medicine Ball Caravan (1971) and Dracula AD 1972 (1972), and released three albums before singer Sal Valentino quit in 1973. Three other band members - Cory Lerios, Steve Price and David Jenkins - left to form pop group Pablo Cruise. Stoneground continued as an act through 1982, with only Tim Barnes and Annie Sampson remaining from the early incarnation of the band. Barnes and Price led a reformed Stoneground in 2003 and released a studio album the following year. 



STONEGROUND

Live at Winterland, San Francisco, CA; March 26, 1972. Very good KSAN FM broadcast.

Track 01. Black Sheep Boy/Don’t Make Promises 6:04
Track 02. Highway 61 Revisited/Don’t Make Promises 7:09 
Track 03. talk/song intro 0:31
Track 04. Great Change 3:44 )
Track 05. Love’s Made A Fool Of You 4:50 
Track 06. Ajax 4:41 )
Track 07. Gonna Have A Good Time 4:25 )
Track 08. Won’t Be Long 4:10
Track 09. Richland Woman 3:55 )
Track 10. Total Destruction To Your Mind 5:22
Track 11. thanks/KSAN announcer 1:21
Track 12. Stroke Sand 6:46 
Track 13. final thanks 0:14
54 mins

Lineup:
Sal Valentino: guitars,vocals
Lynne Hughes: vocals
Deirdre La Porte: vocals
Lydia Moreno: vocals
Annie Sampson: vocals
Tim Barnes: guitars, vocals
John Blakeley: guitars
Terence V Clements: horns
Cory Lerios: keyboards, vocals
David McCullough: bass
Steve Price: drums, percussion




NUTS ,BOLTS, WIRES AND VOLTS

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"Machine Man" by the great Jack Kirby

00 faulty mechanics
01 mechanical world - spirit
02 welcome to the machine - pink floyd
03 machines - lothar and the hand people
04 man machine - lincoln street exit
05 we r in control; - neil young
06 machine song - big brother and the holding company
06a-space ship door opening
07 the artillery and the fighting machine - jeff wayne
08 de mensch maschine - kraftwork
09 oscillations - silver apples
10 mechanical man - bent bolt and the nuts
11 rollin' machine - seeds
12 all about wires - electric prunes
13 blame the machines - duran duran
14 black light machine - frost
15 machines( or back to humans)
16 steaming pipes - happy the man
17 time machine - joe satriani
18 time machine - grand funk railroad
19 metal- gary numan
20 sy borg - frank zappa
21 robot parade - they might be giants
22 synthetic man - rockets
23 power supply - budgie
24 computer age - neil young



TRAVELIN' BANDS

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As Requested by steVe

Ringo Starr might be best known for his cover of Vonie Morrison and Johnny Russell's "Act Naturally," but a country version by the Youngbloods opens up this extremely diverse soundtrack to the 1971 Francois Reinchenbach film which had Martin Scorsese as associate producer. This is the document of an "8,000 mile trans-U.S.A." trip by 154 people, a "wagon train" of buses, trucks, and musical groups which ventured to San Francisco, Gallup, NM, Boulder, CO, Sioux City, IA, Yellow Springs, OH, Moline, IL, Warrenton, VA, and Washington D.C. B.B. King follows the Youngbloods with two bluesy numbers clocking in at about ten minutes. He sounds youthful and like he is having fun. His medley is followed by Doug Kershaw's almost six-minute medley, which is a progression of country to blues to cajun -- and not the most commercial collection of artists. Kershaw is exciting, but the recording here is a cut above a soundboard bootleg, it has the same qualities as the Janis Joplin Woodstock 1969 boot. The fiddle sure cuts, through, as does Kershaw's unmistakable voice, but let's read between the lines here. If this entire journey was recorded on audio and film, why aren't there more of these recordings available? Alice Cooper live from this period would be a nice revelation, and Alice Cooper's "Black Juju" might be in tune with the cajun offerings of Doug Kershaw, but with top billing and one track only, Alice seems a bit out of place. The Youngbloods continue their country dabblings with "Hippie From Olema," a Lowell Levinger composition which is a much better recording than the Doug Kershaw material, maybe because the subdued drums and acoustic guitars aren't as hard to capture on tape. Sal Valentino's Stoneground gets three tracks, maybe because they were the "traveling house band" of the caravan. Kind of like the dude who created "Live Aid" and quickly fell back into obscurity. "Dreambo" by Sal Valentino is OK, but another track from Delaney & Bonnie, Alice Cooper, or B.B.King would have been much more appealing. Delaney & Bonnie close the set with their version of Barbara Keith's "Free the People." Considering that the Valentino/Stoneground tracks take up 14 minutes and 47 seconds of a 48 minute and six second album, well, a third of the music is by the bar band sounds of an unknown artist, making this almost as unsatisfying as the Zachariah soundtrack. In that context, three minutes and twenty seconds of brilliance by Delaney & Bonnie is a shame -- their track is pure magic, a wonderful supplement to Delaney & Bonnie On Tour With Eric Clapton. Alice Cooper's "Black JuJu" is prime Cooper, and a superb snapshot of that important group as they were starting to gain true noteriety. They sound great, and it is a very proud moment for a band that would fall into chaos and dysfunction. What Medicine Ball Caravan needs to do is release a DVD of the Cooper, Delaney & Bonnie, B.B.King, Doug Kershaw and Youngbloods concerts. Excellent live Alice Cooper from long ago, which, along with the "Free The People" track, necessitates the addition of this to your collection. An All Music Review

01 Act Naturally - the Youngbloods

02 Medley: How Blue Can You Get/Just a Little Lo - B.B. King

03 Medley: Louisiana Man/Battle of New Orleans/Orange Blossom Special -
   Doug Kershaw
 
04 Hippie from Olema - The Youngbloods

05 Dreambo - Sal Valentino

06 Black Juju - Alice Cooper

07 Medley: Freakout/It Takes a Lot to Laugh, It Take a Train to Cry-
  Stoneground

08 Free the People - Delaney & Bonnie


THE FIRST ELECTRIC WESTERN

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The soundtrack to the film Zachariah is a tough one. Though the James Gang and Doug Kershaw are splashed on the cover along with Country Joe & the Fish, White Lightnin', and the New York Rock Ensemble, it is the music scored and conducted by Jimmie Haskell which takes up seven of the 14 tracks. "Laguna Salad" and "Country Fever" are the two contributions by Joe Walsh and the James Gang, and that's really all the solid rock & roll you're going to get. Doug Kershaw's "Ballad of Job Cain" has him preaching over a fiddle, while Country Joe & the Fish give a nice barroom piano stomp on "We're the Crackers.""All I Need" by Country Joe is a cute little folk tune with mouth harp which follows Jimmy Haskell's loud "William Tell Overture." This version is akin to what Electric Light Orchestra did to "Roll Over Beethoven." If you think the music here is all over the map, well, it is. It almost feels like producer Bill Szymczyk and Jimmie Haskell were vacillating on how far they should go with the country and with the rock, and though they've tempered the mix, it isn't going to be a favorite disc of people who like one style of music over the other. The New York Rock Ensemble deliver a bluesy psychedelia, almost Quicksilver Messenger Service, while White Lightnin's "Shy Ann" is bluegrass. Jimmy Haskell follows the mix with mood music, and a pop conclusion in "Zachariah (End Title)." For collectors of film music, it is a solid effort. However, there's just a small taste for fans of the groups splashed on the front cover. The James Gang at least get to shoot up the joint as their music is the loudest and makes the most impact here, Joe Walsh having fun, as he usually does. An All Music Review





POINTED EFFORTS

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Zabriskie Point -- just when you thought it was safe to hurtle into the entertainments of the so-called counterculture, this half-baked slice of nonsense arrived under the direction of Michelangelo Antonioni, who had previously directed Blow-Up, a great success. Zabriskie Point eventually became notorious for its Death Valley orgy sequence and the tragic fate of its neophyte star, Mark Frechette, but artistically it served, in the main, to do little but devastate Antonioni's reputation. As a way of accenting the counterculture he thought he was depicting, Antonioni chose to hire a selection of contemporary rock performers. The results of this effort were mixed indeed, with some performers having their music rejected outright after weeks of work, while others left the project after arguments with the ever-evasive director. In the end, MGM tacked on a Roy Orbison song to garner a hit single, and the soundtrack album featured an odd melange of songs from Pink Floyd, the Grateful Dead (whose "Dark Star" is only excerpted), the Kaleidoscope, and others. This compilation is well worth hearing for the Floyd numbers, including an altered "Careful with That Axe, Eugene" presented as "Come in Number 51, Your Time Is Up." [Some reissues add a second disc of outtakes from the score -- including four guitar improvisations by Jerry Garcia, who sat in the big MGM recording stage while the Death Valley scene looped, followed by four cuts from Pink Floyd, who tried a variety of different styles to please Antonioni.  While not quite finished, these cuts are fascinating and, for many people that are fans of early Floyd will hear echoes of the band's later work in these cuts -- these recordings caught the band in transition from the childlike mysticism of the Syd Barrett days to the psychological mysticism of latter-day Floyd. While not quite finished, these cuts are fascinating and, for many people, essential.] An All Music Review




FRISCO REVOLUTION

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Of course this soundtrack album might be rated even higher as a relic, if musical considerations are not applied. Like all exploitative commerce based around the trippy era, it has an appealing tackiness. Those eager for a real revolution in the recording industry should look no further than the word "revolution" itself, which has been the title of literally dozens of albums. In this case we have a product that was even connected to a film of the same name, with three fairly famous rock bands of the San Francisco scene providing tracks for the soundtrack. There's Quicksilver Messenger Service, there's the Steve Miller Band, and there's the bluesy Mother Earth. Actually, all the tracks are kind of bluesy one way or another; that influence was never very far from any of the San Francisco psychedelic bands, except now and then when somebody really felt mellow. Most importantly, it should be stated that it is really difficult to knock an album that includes liner notes beginning with the following advice to the reader: "Next time you use the word revolution, you'd better include in your concept a beautiful blonde who went to San Francisco and illegally changed her name from Louise to Today." And these words come from famous scribe Paul Krassner, no less. A few tommorows later, nobody remembers Today Malone, an innocent blonde starlet who was at the center of this film's maelstrom-like scenario. Probably the actress and the film were forgotten moments after the first release. All the tracks can be found on other recordings, but the compilation's concept actually works to the advantage of the groups featured, none of whom sounded that great and all of whom had trouble creating an entirely listenable album. Vocalist Tracy Nelson has no problem dealing with a Percy Mayfield cover, on the other hand, one of the highlights of the set. "Babe I'm Gonna Leave You" is an enjoyable example of what was basically a required number for years in certain types of freaky coffeehouse venues.An All Music Review



LATTER DAY SPIRIT

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Here is a set of tunes from Spirit that were taken from some of their last releases   mostly from the 80's through the 90's. 

Tracks 1-6 from   California Blues
Tracks 7-12 from  Blues From The Soul
Tracks 15-18 from Son Of America
Tracks 19-24 from  Cosmic Smile


HENDRIX OUTTAKES

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The Capricorn Tape

Recording info:
Studio outtakes considered and / or prepared for release on the 1994 CD ":Blues" (possibly also the 1995 CD "Voodoo Soup"). Includes previously uncirculated material (See tracklist for details). Excellent quality.
Origin of the title "Capricorn Tape" is unknown.

1. Getting my heart back together ( 8:14)

Record Plant, New York City, New York, USA
Composite of two takes.
First half:
Wednesday 21 May 1969 Engineer: Dave Ragno
Buddy Miles: drums, Billy Cox: bass, Unknown: congas
Second half:
Unknown date & location (1970?)
Mitch Mitchell?: drums, Billy Cox?: bass

2.  Belly button window (2:28)

Electric Lady Studios, New York City, New York, USA
Saturday 22 August 1970. Engineer: Eddie Kramer
Recorded on 1/2 inch 4-track, complete alternate take, the wah guitar part has probably been added from another take by Alan Douglas.

3.  Villanova junction (19:41) / (aka Jam / Country blues)

Record Plant, New York City, New York, USA
Friday 23 January 1970
Engineer: Bob Hughes, 2nd Engineer: Dave Ragno
Don: harmonica, Buddy Miles: drums, Billy Cox: bass

4.  Mother  (7:53) / (aka Georgia blues)

Record Plant, New York City, New York, USA
Wednesday 19 March 1969 Engineer: Gary Kellgren
Drums: Jimmy Mayes, Bass: Hank Anderson, Organ: John Winfield, Vocals & Sax: Lonnie Youngblood, Congas: unknown

5.  Lover man (2:47)

Record Plant, New York City, New York, USA
Friday 15 May 1970
Engineer: Eddie Kramer, 2nd Engineer: Tom Flye

6.  New rising sun (8:28)

Studio B, TTG Studios, 1441 N.McCadden Street, Hollywood, Los Angeles, California, USA
Wednesday 23 October 1968
Jimi - guitar, Jimi - drums
Engineer - Angel Balestier, Second engineer - Mark Kauffman
According to the "Voodoo Soup" liner notes by Michael Fairchild "the tape itself is a nine minute reel" recorded entirely by Jimi with him filling four of the tracks with drum overdubs.
Thus this version probably is the unedited complete take.

7.  Midnight ( 8:19) (from 4.51 to end tape damage)

Olmstead Studios, New York City, New York, USA
Tuesday 1 April 1969
Mitch Mitchell: drums, Noel Redding: bass
Engineer: Eddie Kramer







SWEETMEAT 95

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 I thought it was time to revisit the music deemed as Klassic on the radio station KSHE out of St. Louis. here's some history of "Sweetmeat"

The station mascot is a sunglasses-and-headphones-wearing pig named "Sweetmeat," the likeness of which originally appeared on the cover of Blodwyn Pig's 1969 album 'Ahead Rings Out'.
Like the pig pictured on the LP cover, Sweetmeat first appeared with a joint in his mouth. This "controversial" detail disappeared in the early '80s in favor of an updated, cartoon "rocker" pig. Originally, Sweetmeat was a female. At one point, a contest was held, which allowed listeners to name her children, which there were two of, a male and a female,  Then, sometime in the '80s (More than likely at the same time the "Rocker" pig image was put into place), Sweetmeat suddenly became a male character. In recent years, the station has returned to using the original image, along with the original KSHE-95 text logo.

01 circus - string drivin thing
02 black cloud - trapeze
03 another way out - brave belt
04 if i had arocket launcher - bruce cockburn
05 baby blue - chilliwack
06 get it right on out there - bill quateman
07 easy evil - john kay
08 fly by night - alexis
09 ebony eyes - bob welch
10 should i see - frozen ghost
11 what am i living for - mark almond
12 magnolia - poco
13 post toastee - tommy bolin
14 i can feel the fire - ron wood
15 wizard = uriah heep
16 positive vibrations - ten years after
17 ready freddy = jo jo gunne
18 sign of the gypsy queen = april wine
19 quite like you - nantucket
20 nicole - point blank
21 goin' down the road - painter
22 remember the good times - paice, ashton and lord
23 across the board - kantner,slick and freiburg
24 gypsy queen - gypsy






THE SOUND OF COLORS

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01 let's go away for a while - beach boys
02 69 guitars - 69 cats
03 simple simon - move
04 last band on side one - big brother & the holding company
05 apache - babe ruth
06 sage and spirit - grateful dead
07 rot gut- ted nugent & the amboy dukes
08 black pit - steppenwolf
09 untitled lullaby - budgie
10 suntronics - spirit
11 walk in santiago - country joe mcdonald
12 promise her anything but give her arpeggio - big brother
13 i live in conneticutt - aerosmith
14 banjo - jefferson airplane
15 blt - lee oskar
16 they laughed when i sat at the piano - egg
17 we are not alone -  frank zappa
18 pali gap - jimi hendrix
19 sugar cube - electric tommorrow
20 time is tight - booker t & the mg's
21 honky tonk - moby grape
22 from way out to way under - shadows of knight
23 after forever - black sabbath
24 epitaph - king crimson





BRUMMELS IN THE PARK

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After the failed attempt at a band reunion (all original members)  in 1974-75 the Beau Brummels tried again 10 years later with new members.. They did manage to release a new single but to no avail . Declan Mulligan should be credited for trying to keep the group together

In my own opinion their 75 reunion LP was pretty good. I still enjoy hearing these guys and their style of music,
The Beau Brummels in 1984
Decaln Mulligan. Terry Thorn, Sal Valentino.. Jim Moyles & John Hjort

beau brummels 
1984-07-15 
San Francisco 
golden gate park

01 - Intros
02 Love can Fall A long Way Down
03 Melody
04 Just A Little
05 Native Sons 
06 Goldrush
07 Pot Of Steel
08 Sad Little Girl
09 Watching The Night To End
10 Laugh Laugh
11 Back To Life
12 Hard Time Lovin'
13 Goodbye
14 Black Is Black( encore)

CHAMBER MUSIC

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Rapture in the Chambers was a 1988 album by Spirit. It remains the only Spirit LP or CD still out of print So I thought you Spirit fans would enjoy it.

It was their first "proper" album since their 1976 album Farther Along, which had featured almost the entire original line-up (Jay Ferguson, who was concentrating on his solo career, was absent). Their albums since that time had mostly consisted of archival releases, live albums, a re-union attempt, and Future Games, which is largely considered to be a Randy California solo album in everything but name. It was also their final album for an established label, IRS Records.

The primary line-up for this album was Randy, Ed and John Locke. Mark Andes also appeared on two tracks, and Randy's sister Janet provided harmony vocals on Hard Love.


Track listing

   1. Hard Love
   2. Love Tonight
   3. Thinking Of
   4. Rapture In The Chambers
   5. Mojo Man
   6. Contact
   7. The Prisoner
   8. One Track Mind
   9. Enchanted Forest
  10. Human Sexuality
  11. Shera Princess Of Power
  12. End Suite.





VOODOO CHILD

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Original artwork By Franflow



Jimi Hendrix Voodoo Blues #3 – Brilliant Outtakes, Demos, Sessions & More (1967/1970)

A very nice set. Worth it alone for the great jam on Blue Suede Blues.

Tracklist:
01 - #3 (2:12)
Inst. Outtake from AYE Sessions - Olympic Studio, London April 3rd 1967
02 - If 6 Was 9 (5:57)
Alternate Recording, Olympic Studio, London 1967
03 - Little Wing (3:23)
Inst. Demo Take 1 - Olympic Studio, London October 25th 1967
04 - Little Mis Lover (2:21)
Alternate version - Olympic Studio, London October 1st,3rd 1967
05 - Sweet Angel (4:11)
Inst. Demo of Angel - Olympic Studio, London November 13th, December 28th 1967
06 – Somewhere (3:48)
Early Demo - Sound Center, New York - March 1968
07 - It's Too Bad (8:52)
Record Plant, New York - February 11th 1969
08 - Earth Blues (4:08)
Alternate Version with backing vocals by the Ronettes - Record Plant, New York, Dec. 19th 1969
09 - Cherokee Mist (6:02)
Unreleased Version - Electric Lady Studios, New York, June 24th 1970
10 - Purple Haze (2:56)
Take 1 - DeLane Lea Studios, London, Jan-Feb 1967
11 - The Things I Used To Do (4:06)
Vocal Take #4 with Stephen Stills/J. Winter/Dallas Taylor - Record Plant, New York, May 1969
12 - Room Full Of Mirrors (2:58)
Record Plant, New York, November 17th 1969
13 - Gypsy Eyes (4:14)
Acoustic Demo

Bonus tracks:
14 - Seven Dollars In My Pocket Blues (10:39)
Unreleased Demo
15 - Heartbreak Hotel/Blue Suede Shoes (11:35)
Record Plant, New York, January 23rd 1970

Total time 01:17:22




M - 16

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01 jumpin' jack flash - anandar shankar
02 albert's shuffle - al kooper & mike bloomfield
03 elenore rigby - jerry garcia
04 cool million - lovin' spoonful
05 stoned - rolling stones
06 expectations - savage resurrection
07 crosstown traffic - phil upchurch
08 fluff - black sabbath
09 chock lite puddin' merl saunders
10 free flight - ted nugent's amboy dukes
11 space jam - spirit
12 too close to the sun - ray manzarek
13 majesty's honky tonk - rolling stones
14 candle of life - moody blues
15 nuages - king crimson
16 classical gas - mason williams
17 foggy mountain breakdown - lester flatt & earl scruggs
18 tanyet - ceylieb people
19 aim the vimana toward the dorian sector = orange alabaster mushroom
20 fool's go;d - poco
21 the storm - hunters
22 dark side of the mushroom - chocolate watchband
23 uncle jam - ten years after
24 insrumental in f minor - electric prunes




http://www81.zippyshare.com/v/oGOJa2Ne/file.html

THE GIRLS UP FRONT

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Joy of Cooking was an American music ensemble formed in 1967 in Berkeley, California. Identified with the hippie culture, the band's music melded rock & roll with folk, blues and jazz. The band released three studio albums on Capitol Records in the early 1970s, as well as a minor hit single in 1971, "Brownsville". With bandleaders Terry Garthwaite and Toni Brown, Joy of Cooking was one of the earliest female-fronted bands in rock music history.

Joy of Cooking was led by pianist Toni Brown and guitarist Terry Garthwaite.The rest of the band consisted of bass guitarist David Garthwaite (Terry's brother), drummer Fritz Kasten and percussion player Ron Wilson. Keyboard player Stevie Roseman replaced Toni Brown for a time and bass players Happy Smith and eventually Jeff Neighbor replaced David Garthwaite on bass guitar.

The band's music was a mix of hippie sensibilities with rock, blues, folk and jazz, and the lyrics often reflected feminist themes


Joy of Cooking
September 5, 1971
Pacific High Recording Studios
San Francisco, California, USA

As broadcast by KSAN-FM San Francisco from a low gen. reel Very decent sound quality -

Toni Brown-vocals piano
Terry Garthwaite-vocals, guitar
Jeff Neighbor-bass
Fritz Kasten-drums
Ron Wilson-congas 

01  Bad Luck Blues
02  1000 Miles
03  Humpty Dumpty
04  Too Late But Not Forgotten
05  Brownsville > Mockingbird
06  First Time Last Time
07  Closer To The Ground
08  Laugh Don't Laugh






ANITA MIRACLE SEZ......

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Just dropping a line to anyone who would like to hear the Spirit - Denver show that was recalled. The link is set to expire in 5 days and after that it will not be recalled.

AIR DANCING

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01 hot 'lanta - allman brothers band
02 crazy fingers - jazz is dead
03 witch's moon - quicksilver messenger service
04 spanush harlem - sneaky pete kleinow
05 nashville west - byrds
06 dancing couple - joy of cooking
07 defrost - albert collins
08 overture - who
09 deleverance - steve miller band
10 cleo's mood jr.walker & the all-stars
11 shine - be bop deluxe
12 from mighty oaks - ray thomas
13 wave - spirit
14 slaughter on 10th avenue - mick ronson
15 nights in white satin - shadows
16 woodchopper's ball = ten years after
17 paint it black - suprertones
18 righteous =- merl saunders
19 silly putty - stanley clark
20 maui - big brother & the holding company
21 walking with mr.lee- lee allen & his band
22 ghost walk - capers
23 mudmen - pink floyd
24 distorto - grateful dead


SUMMER IN THE CITY

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“Are you a lucky little lady in the City of Light? Or just another lost angel..". City of Night? ”   
  Jim Morrison


01 new york city - t-rex
02 streets of baltimore - gram parsons
03 born in boston -  a group called smith
04 philadelphia - neil young
05 chicago (we can change the world) - graham nash
06 what made milwaukee famous - commander cody
07 city of new orleans - arlo guthrie
08 wkrp in cincinnati - steve csrlise
09 greenville to birmingham - drive by truckers
10 nashville cats - lovin' spoonful
11 memphis - barbarians
12 kansas city - liqurice john death
13 st. louis - easybeats
14 tulsa turnaround - poco
15 omaha - moby grape
16 amarillo - emmylou harris
17 san antonio - pure prarie league
18 el paso - marty robbins
19 ooh las vegas - gram parsons
20 portland woman - new riders of the purple sage
21 white boy from sacremento - timothy b schmit
22 hollywood blues - mill vally bunch
23 i love l.a. - randy newman
24 san francisco(wear some flowers) - scott mckenzie


TIME AWAY........NEED A BREAK

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With this posting I think I need to take some time away from this blog. Maybe the summer months have got everyone busy on other things but the visits to the site have slowed done. I  have noticed in tha last few weeks that most of the music sites are posting less. I know my selections are only searched for  by a limited audience. Maybe the old hippies are reaching their final days. Just the thought of a world without the boomers music makes me cringe. I am hoping that with this break I can return in a better frame of mind and with a re--newed interest.. Has anyone ever thought about what the Yankees may have done if Babe Ruth came to bat 450 times in the season but only hit
home runs?


I will return after a while. and hope you are still with me.

SF NIGHTS 13-16

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The last four volumes of this series has been recalled. 
Please visit the original posts to get the updates.


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