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DEEP DRUMMING

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MICKEY HART and PLANET DRUM


Live at the Van Duzer Theatre, Humboldt State University, Arcata, 
CA; September 24, 2006. Good to very good audience recording.

From the Global Rhythm Magazine News:

The Planet Drum 2006 Tour reunites Mickey Hart, Zakir Hussain, 
Sikiru Adepoju, and Giovanni Hidalgo for a September series of West 
Coast shows in celebration of the 15th anniversary of the ground-
breaking album of the same name. Planet Drum was released in 1991 on 
the Rykodisc label and went on to earn the first-ever Grammy in the
World Music category. The tour is the groups first in almost a 
decade. It also marks the resumption of an artistic relationship -
between Mickey Hart and Zakir Hussain - that goes back to the late 
1960s.

For Hart, this reunion is an opportunity to take Planet Drum into 
new places. “This is a deep drumming groove. We’re taking the 
archaic rhythm worlds into outer space. Planet Drum explores rhythm 
and noise… it’s a sound yoga of processed acoustic percussion headed 
straight for the trance zone that becomes a dance of ancient and 
modern worlds. Deep drumming is a skeleton key into these realms.”


Track 01. Pony 
Track 02. Message From Zena 
Track 03. Tall Grass
Track 04. Heart Space
Track 05. I Can Tell You More 
Track 06. Gio 1-2-5
Track 07. Temple Caves 
Lineup:
Mickey Hart
Zakir Hussain
Sikiru Adepoju
Giovanni Hidalgo





I HEAR IT

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I have changed the labels box to read alphabetically for an easier search by name.

I was asked again why there are so many dead links on the older postings.....Well all "free" upload services only allows you so much time or size on their servers. Zippyshare allows only 200 mb files or smaller and Mega will only give you a total of so much storage. All the servers of course want you to purchase their premium pakages.  In the case of Zippy the files remain intact for 30 days from every time it gets a hit or download. No activity on a file in 30 days and they delete it.Most of the older files were on Megaupload until they were shut down by the government so I went for awhile with no server and uploaded postings about the artists( explaining the many posts for one artist 
Hence my decision to update some of the older selections as time permits

I am happy to be receiving your comments and emails and will continue at a reasonable pace so if I don't get around a particular selection I apologize. Remember if a file has no hits in 30 days it is deleted from the Zippyshare system. Any larger files (over 200mb) will have a Mega link

Enjoy the music , the art, and keep the spirit of the 60's alive and well!



SMOKING GUNS

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01 rapid transit - rotary connection
02 rocks off - p f flyer
03 ojo - leo kottke
04 our man hendrix - id
05 toktela - absolute elsewhere
06 cristo retentor - harvey mandel
07 happiness is drumming - diga rhythm band
08 bucking mule - kentucky colonels
09 a biker's tune - peacepipe
10 edward - nicky hopkins
11 spring fever - spring fever
12 camila - keymen
13 jeff's blues - yardbirds
14 flamenco express - united travel service
15 andmoreagain - love
16 sure listic - animated egg
17 chris' number yardbirds
18 deep feeling - chuck berry
19 string quartet whiskey boot hill - neil young
20 twenty small cigars - frank zappa
21 pedro -sky king
22 hexahedron  - mountain bus
23 b'boom - king crimson
24 past zero time - dark matter



BRITISH PSYCHEDELIA

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As requested by  Beat Kerner, Karlsruhe -  Germany This 4 disc comp of Britiish psychedelia has been updated. Your must view the original posting and it is best accessed by clicking the "England" choice  in the labels column




WIRED

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01 earsplittenloudenboomer - steppenwolf
02 on the run - pink floyd
03 freedom jazz dance - jimmy csrl blsck
04 santuary - pete sears
05 five by five - dave clark five
06 eight miles high/paint it black - floating bridge
07 malibu - blue stingrays
08 juggling suns - solar circus
09 watermelon - leo kottke
10 new york bullseye - shadows of knight
11 therr jig bamd - heart of gold band
12 samba pa ti - santana
13 siesta - geronimo black
14 morning sun - happy the man
15 wild turkey = jefferson airplane
16 jerusalem - herb alpert
17 mystery boogie - fleetwood mac
18 pancho villa - giants
19 mango juice - steppenwolf
20 (i csn't get no)satisfaction - rolling stones
21 groovy grubworm - sandy nelson
22 zoot allures - frank zappa
23 mammagamma - alan parsons projrct
24 fanfare for the common man - emerson,lake and palmer



BYRDISH

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GENE CLARK & FRIENDS
A Star For Every Stage
20th Anniversary Tribute to the Byrds; live at the Three T’s, Evansville, IN; May 15, 1985. Very good soundboard. 

A Star For Every Stage is a bootleg with former Byrds member Gene Clark and friends, recorded live May 16 , 1985 at 3-T’s, Evansville, IN. The “friends” include The Band’s Rick Danko and Richard Manuel, ex-Beach Boy Blondie Chaplin, and others. Danko and Chaplin toured for a while with Clark on his Byrds/Burritto Bros. “reunion” concerts in the ’80s. Danko and Manuel sing lead on “Honest I Do”and on the two Band songs “The Rumor” and “The Shape I’m In.”


In 1985 Clark approached McGuinn, Crosby, and Hillman 1984 regarding a reformation of The Byrds in time for the 20th anniversary of the release of "Mr. Tambourine Man". The three of them showed no interest. Clark decided to assemble a "superstar" collection of musicians, including ex-Flying Burrito Brothers member Rick Roberts, ex-Beach Boys singer/guitarist Blondie Chaplin, Rick Danko and Richard Manuel of The Band, with ex-Byrds Michael Clarke and John York. Clark initially called his band "The 20th Anniversary Tribute to The Byrds" and began performing on the lucrative nostalgia circuit in early 1985. A number of concert promoters began to shorten the band's name to "The Byrds" in advertisements and promotional material. As the band continued to tour throughout 1985, their agent decided to shorten their name to "The Byrds" permanently, to the displeasure of McGuinn, Crosby and Hillman. Clark eventually discontinued performing with his own "Byrds" band, but drummer Michael Clarke then continued on with Skip Battin (occasionally using ex-Byrds York and Gene Parsons, also), forming another "Byrds" group, prompting McGuinn, Hillman, and Crosby into going on the road as "The Byrds" to attempt to establish claim to the rights to the band name. Their effort failed at the time, and Gene Clark, primarily due to his involvement with the act that didn't include them, was not included in their reunion. David Crosby finally secured rights to the band name in 2002. Clark did join the band for the Byrds reunion LP.



Track 01. It’s All Over Now, Baby Blue 
Track 02. Just an Arrow  
Track 03. Honest I Do
Track 04. The Rumour 
Track 05. The Shape I’m In
Track 06. Shake Your Ass - Blondie Chaplin, vocals
Track 07. Why Did You Leave Me Today 
Track 08. Silver Raven 
Track 09. Feel A Whole Lot Better 
Track 10. Chimes Of Freedom  
Track 11. Sail On Sailor 4:12 
Track 12. So You Want To Be A Rock ‘n’ Roll Star
Track 13. Eight Miles High 
Track 14. Turn! Turn! Turn! 


Lineup:
Gene Clark - guitar, vocals
Michael Clarke - drums
Richard Manuel - piano, vocals
Rick Danko - bass, vocals
Blondie Chaplin - guitar, vocals
John Yorke - Bass
Rick Roberts - vocal


THE MANALISHI'S TOUCH

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One of the more notorious near-casualties of the music world, Peter Green managed to avoid entirely self-immolating in the manner of Jimi Hendrix or becoming permanently impaired as did Syd Barrett, but he came quite close to meeting one of these fates on a number of occasions. As with many musicians of his generation, Green spent time in a number of small-time blues bands before finding the opportunity that would establish a lasting reputation -- in his case, replacing (on two occasions) guitarist Eric Clapton in John Mayall's Bluesbreakers. Not an easy position to fill given the deranged hysteria over Clapton's playing, but such was Green's ability that he was eventually able to win over both fans and critics.

In 1967, Peter Green left the Bluesbreakers and, along with fellow former Bluesbreaker Mick Fleetwood, formed the first incarnation of Fleetwood Mac. The band made steady progress recording and touring, but by the time of their third album Green's state of mind began to disintegrate. An acid binge made a permanent change in the guitarist's personality and he became obsessively religious, encouraging his bandmates to donate the majority of their money to charity. He finally quit Fleetwood Mac in 1970, unable to reconcile his attitudes with the reality of being in a successful band.

Peter Green's musical output following his departure from Fleetwood Mac was erratic and occasional. Solo recordings and the odd live appearance gave way to a series of disconnected jobs such as (reportedly) grave digger and hospital orderly, as well as periods spent in mental institutions. A recurrence of drug abuse in the late 70s seemed likely to bring a permanent end to his music career -- and possibly his life. Through the support of his family such drastic consequences were averted, however, and Green even managed some sporadic musical activity in the first half of the 80s.

A full-fledged return to his musical career was not accomplished until 1995, when Green formed The Splinter Group. The band remained active throughout the rest of the decade, but its continued existence remains questionable. In 1998 he was inducted into the Rock and Roll Hall of Fame as a member of Fleetwood Mac.




PETER GREEN SPLINTER GROUP
Cells Alive! 
Live in Gesendef Auf, Germany; June 28, 1998. Excellent audio 
There are some who think that Fleetwood Mac could have done even 
more with Peter Green in the lineup. As this 1998 gig shows, the 
guitarist still had the chops.

Track 01. Intro 
Track 02. Black Magic Woman 
Track 03. Mama Keep Your Big Mouth Shut 
Track 04. Rattlesnake Shake 
Track 05. The Supernatural 
Track 06. Shake Your Hips 
Track 07. Traveling Riverside Blues 
Track 08. Steady Rolling Man 
Track 09. The Stumble 
Track 10. Albatross 
Track 11. Green Manalishi 
Track 12. Going Down 
Track 13. Look Yonder Wall 
.


IT'S ALL ABOUT THE MONEY

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01 a fistful of dollars - babe ruth 
02 money - liverbirds
03 money - doors
04 take the money and run - steve miller band
05 shake your money maker - paul butterfield blues band
06 no money down - remo four
07 money - lovin' spoonful
08 money whipped - band
09 american money blues - nevada jukebox
10 i had but fifty cents - robert crumb & his cheap suit serenaders
11 pricilla millionara - zal yanovsky
12 if you;ve got the money - willie nelson
13 greenback dollar - hoyt axton
14 gimme your money please - bachman turner overdrive
15 money for nothing - dire straits
16 dollars - rare bird
17 you never give me your money - beatles
18 billion dollar babies
19 did you steal my money? - who
20 into money - robin trower/jack bruce
21 money money - ufo
22 brother can you spare a dime? - tom waits
23 money - pink floyd
24 money honey - jerry garcia band



THE BAVARIAN TORNADO

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Sir Douglas Quintet 
1985-06-02 
june 2nd
tuebingen ( germany )
mensa - morgenstelle

01 -intro-
02 texas tornado
03 wasted days and wasted nights
04 she's about a mover
05 i love you thousand ways
06 dynamite woman
07 next time you see me
08 stormy monday
09 que paso
10 who were you thinking of
11 velma from selma
12 96 tears
13 bavarian baby
14 suzie darling
15 i wanna fall in love
16 county line again
17 mendocino
18 -band intro-
19 baby you better be real
20 you're gonna miss me 
21 good golly miss molly
22 -encores1-
23 orange blosssom special 
24 heartaches by the numbers
25 is anybody going to san antone
26 adios mexico
-encores2- 
27 folsom prison blues
28 little georgie baker
29 woolly bully

Doug Sahm
Augie Meyers
Johnny Perez
Louie Ortega
Doug Clifford



THINGS AND MATE

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As requested by Stathis the following post has been recalled.
Please view the original posting for the update. Select Pretty Things from the label column for access




SF NIGHTS 9=12

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As previously stated the next four volumes (9-12)of the San Franciscan Nights series.have been recalled!  Please view the original postings for the update'


ARE YOU READY FOR SOME COUNTRY?

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Now here's a twist! Every so often I will skirt the realms of other forms of music. By no means am I a fan of today's country and it's stars but I will definitely listen to the likes of Waylon and Willie and the "outlaw" music of the late 70's  

If any one performer personified the outlaw country movement of the '70s, it was Waylon Jennings. Though he had been a professional musician since the late '50s, it wasn't until the '70s that Waylon, with his imposing baritone and stripped-down, updated honky tonk, became a superstar. Jennings rejected the conventions of Nashville, refusing to record with the industry's legions of studio musicians and insisting that his music never resemble the string-laden, pop-inflected sounds that were coming out of Nashville in the '60s and '70s. Many artists, including Willie Nelson and Kris Kristofferson, followed Waylon's anti-Nashville stance and eventually the whole "outlaw" movement -- so-named because of the artists' ragged, maverick image and their independence from Nashville -- became one of the most significant country forces of the '70s, helping the genre adhere to its hardcore honky tonk roots. Jennings didn't write many songs, but his music -- which combined the grittiest aspects of honky tonk with a rock & roll rhythm and attitude, making the music spare, direct, and edgy -- defined hardcore country, and it influenced countless musicians


Waylon Jennings
Grand Ole Opry House
Nashville, TN
August 12, 1978
FM Broadcast Recording

01 Are You Ready For The Country
02 Lonesome Aunery And Mean
03 Long Time Gone
04 Amanda
05 A Long Time Ago
06 Jack Of Diamonds?
07 This Time
08 Let The World Call Me A Fool
09 I've Always Been Crazy
10 Don't You Think This Outlaw Business (Done Got Out Of Hand)
11 Good Hearted Woman
12 Mamas Don't Let Your Babies Grow Up To Be Cowboys
13 Luchenbach Texas
14 Honky Tonk Heros
15 Are You Sure Hank Done It This Way


PISTOL PACKIN' TWELVE STRINGERS

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01 a fistful of dollars- babe ruth
02 epic cowboy song - cowslingers
03 this ol' cowboy - marshall tucker band
04 mommas, don't let your babies grow up to be cowboys -
   waylon jennings and willie nelson
05 saddle up the palomino - neil young
06 singing cowboy - beau brummels
07 the cowboy song - knowbody else
08 cowboy song - thin lizzy
09 my heros have always been cowboys - willie nelson
10 back in the saddle again - aerosmith
11 rio grande -brian wilson
12 cowboy's dream #19 - dan hicks & his hot licks
13 space cowboy - steve miller band
14 lonesome la cowboy - new riders of the purple sage
15 cowboy hat - nickleback
16 cowboy on the run - quicksilver messenger service
17 big iron - kingfish
18 rodeo - moby grape
19 cadillac cowboys - spirit
20 gypsy cowboy - new riders of the purple sage
21 singing cowboy - love
22 are there any more eal cowboys? - neil young\ willie nelson
23 cowboy movie - david crosby
24 the last cowboy song - highwaymen 



SF NIGHTS 13-16

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The last four volumes of this series has been recalled. 
Please visit the original posts to get the updates.


BIG BROTHER BLUES

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In light of the recent passing of Sam Andrew I thought it would be a good thing to work out some Big Brother and the Holding Company. We of course know the history of the band and the focus on Janis, Big Brother has never really been given it's due as a talented group , It was all about Janis.. Sam Andrew had always kept his band going  (short of his blunder of going with Janis when she left BB. Essentually killing the career of BB at the time.. Sam returned a couple of years later and put a new twist on the music of BB. Janis was it but she was replaceable for what music they would  play after getting back together. Kathi McDonald was a perfect fir for the band with her blusey background, She participated in the "How Hard It Is" LP and contributed to the recordings of "Can't Go Home Again" recording in a very prominent role. Sadly Kathi passed away a couple of years back but if you pull her up on YouTube  you will find some very powerful performances, Her version of the Etta James classic " I'd Rather Go Blind" is as good as if not better than the original.. An interesting tidbit about Kathi (who has a very strong resume of vocals with a lot of people) is she was actually to audition for the BB vocalist job bur Janis beat her to the punch, What could have been the BBHC story had Kathi been the original female lead ?. Maybe just maybe they might have developed into a great blues band with the respect these musicians deserved.



In rehearsal for the Stomp

Tracks 1-6 are taken from the How Hard It Is Lp
Tracks 7-13 are from the Big Brother performance at the 1978 Tribal Stomp
Tracks 14- 20 are from the Can't Go Home again LP




LIVE FROM THE OZONE

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Commander Cody and His Lost Planet Airmen is an American country rock band founded in 1967. Core members included founder George Frayne IV (alias Commander Cody, born 19 July 1944, Boise City, Idaho) on keyboards & vocals; Billy C. Farlow (b. Decatur, Alabama) on vocals and harmonica; John Tichy (b. St. Louis, Missouri) on guitar and vocals; Bill Kirchen (b. 29 January 1948, Ann Arbor, Michigan) on lead guitar; Andy Stein (b. 31 August 1948, New York) on saxophone and fiddle; Paul "Buffalo" Bruce Barlow (b. 3 December 1948, Oxnard, California) on bass guitar; Lance Dickerson (b. 15 October 1948, Livonia, Michigan; died 10 November 2003, Fairfax, California) on drums; and Bobby Black on steel guitar.

The band's style mixed country, rock 'n' roll, Western swing, rockabilly, and jump blues together on a foundation ofboogie-woogie piano. It was among the first country-rock bands to take its cues less from folk-rock and bluegrass and more from barroom country of the Ernest Tubb and Ray Price style. The band became known for marathon live shows


Commander Cody & His Lost Planet Airmen
Capitol Theater  
Port Chester, NY 
07-21-1973

1. Instrumental Intro
2. Good Rockin' Tonight
3. Everybody's Doin' It Now
4. Milk Cow Blues
5. I Took Three Bennies and My Semi-Truck Won't Start
6. Mama Tried 
7. Mama Hated Diesels
8. Lookin' at the World Through a Windshield
9. Diggy Liggy Lo
10.// Cryin' Time
11. Beat Me Daddy Eight To The Bar
12. Hot Rod Lincoln
13. Riot in Cell Block #9
14. Rock That Boogie
15. 20 Flight Rock
16. Jailhouse Rock
Encore:
17. Mean Woman Blues
18. Lost in the Ozone 

Bruce Barlow -  Bass, Vocals 
Bobby Black - Pedal Steel Guitar, Vocals
Commander Cody -  Piano, Vocals
Lance Dickerson - Drums, Vocals 
Billy C Farlow - Harmonica, Vocals
Bill Kirchen - Lead Guitar, Vocals 
Andy Stein - Violin, Saxophone 
John Tichy - Guitar 



INSTRA -MENTAL ATTACK

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01 the stripper - david rose orchestra
02 greensleeves - jeff beck
03 saxmaniax - roy wood
04 blisters - lee oskar
05 the saga of sydney spacepig (pt3) -jefferson airplane
06 tiger rag - a fleeting glance
07 necromance for guitar - 69 cats 
08 webbed feet - chicken shack
09 the supernatual - john mayall & the bluesbreakers
10 key west - bobby keys
11 world in harmony - fleetwood mac
12 sumpfige wasser - amon guru
13 ingo - chuck berry
14 instrumental love song - pelican
15 dust to dust - ginger baker
16 honkey tonk - bill doggett
17 soul stew - moby grape
18 blue saloon - mike oldfield
19 shelly manne - charlie watts\jim keltner project
20 pet sounds - beach boys
21 baja - astronauts
22 one of these days - pink floyd
23 europa - santana
24 strange trim - gary duncan's quicksilver








HIPPY DIPPY WEATHERMAN

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Buddy McPeters of Kingman, Arizona requested a Comp themed about weather.! It has been over 90 degrees this whole week here in the Atlanta area. Nothing more extreme than summertime in Georgia. Rain will be welcome this evening. Keeping my fingers crossed! 

00 hippy dippy weatherman - george carlin
01 i talk to the wind - king crimson
02 sad sad sunshine - hard times
03 good say sunshine - beatles
04 stormy monday blues -  mccoys
05 bad weather - poco
06 thunderstruck- acdc
07 lightning never strikes twice - move
08 the rains came - sir douglas quintet
09 when will thw rains come - troggs
10 there's a storm comin' - standells
11 rhythm of the rain - cascades
12 buy for me the rain - nitty gritty dirt band
13 riders on the storm - doors
14 get off of my cloud - rolling stones
15 fog - spirit
16 get in the wind - illinois speed press
17 terminal frost - pink floyd
18 heat wave - cryan' shames
19 let the cold winds blow - turtles
20 cold rain and snow - grateful dead
21 ice - spirit
22 like a hurricane - neil young
23 still raining, still dreaming - jimi hendrix
24 blue sky - allman brothers band


AN ACQUIRED AND ANGUISHING LISTEN

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CAUTION !  this music is not for everyone. 
Listen at your own risk!

 Fifty Foot Hose were one of the most unusual '60s San Francisco psychedelic bands, in part because they weren't really that psychedelic. Like a few other acts of the time (most notably the United States of America), they were trying to fuse the contemporary sounds of rock with electronic instruments and avant-garde compositional ideas. Only one album resulted from the ambitious enterprise, and that record (Cauldron, 1968) still remains unknown to all but hardcore collectors. Although an erratic work, it was intriguing for its mix of jazzy psychedelic rock tunes with electronic sound effects that anticipated future models of synthesizers, but sounded fiercer and more primitive.
Fifty Foot Hose were founded by bassist Cork Marcheschi, who had previously been in a conventional rock/R&B band the Ethix. Under Marcheschi's prodding, in 1967, the Ethix released one wildly atonal single, "Bad Trip," whose violent musique concrète foreshadowed the avant-garde postures of his subsequent group (in fact, "Bad Trip" was more avant-garde than anything Fifty Foot Hose would record). (Apparently it was played once on a local underground radio station, and then never again.)
It's very easy to make "weird" music when the groundwork for what constitutes "weird" has already been done. It's not quite so easy being the band who decide to go "out there" in the first place. Congratulations then to San Francisco's Fifty Foot Hose – Nancy Blossom (vocals), David Blossom (guitar/piano), Larry Evans (guitar/ vocals), Terry Hansley (bass), Kim Kimsey (drums) and founder Louis "Cork" Marcheschi – who were one of the most radical groups of the psychedelic era, and whose experimentalism still has the power to shock and surprise even now.


While a hundred other bands put on beads and candy-striped pants and grew their hair, Fifty Foot Hose just got more and more odd. Marcheschi was a blues aficionado who built a synthesiser from material he found and scavenged. He constructed his own theremin, hooked up a saw blade to a microphone and ran the whole lot alongside a Hohner Echolette machine. The music he went onto make is, well, have a listen – it is utterly, utterly beautiful. And completely crazy. Signed to Limelight – then an off-shoot of Mercury, a label whose only other band was the studio-bound Sound of Feeling – Fifty Foot Hose recorded and released this one album, Cauldron, in 1967, which blended jazz, rock, soul, psychedelia and heavyweight electronics to startling effect.

Red the Sign Post is impossibly heavy acid-rock, Opus 777 is a fantastically brief DMT-like trip into a furious netherworld, Fly Free is pitched somewhere between Fairport Convention (whom they toured with) and the Doors, while God Bless the Child takes Billie Holiday and Arthur Herzog Jr's standard and rubs it up against whistling, space-jazz oddness. Most disturbing of all, though, are Bad Trip's two and a half minutes of hell and the head-wrecking tape-manipulation genius of the title track, which has to be heard to be believed. What's particularly striking about Cauldron is its serious intent, an intent which meant it was largely ignored upon release in December 1967. "It was a pretty conservative time" Marcheschi later noted, somewhat ruefully. Review from Spotify



Interest in Fifty Foot Hose resurfaced in the 1990s, as they became recognized as precursors to the electronic rock sounds of groups like Pere Ubu, Chrome and Throbbing Gristle, and Cauldron was reissued on CD. By this time, Marcheschi had become a respected sculptor, specializing in public work using neon, plastic, and kinetic characteristics.

In 1995, Marcheschi reformed the group for live performances in San Francisco, with a new set of musicians. These performances led to the release of the album Live & Unreleased, which was followed in 1997 by a new studio album, Sing Like Scaffold. On the latter album, Fifty Foot Hose essentially comprised Marcheschi (on echolette, twin audio generators, squeaky stick, white noise generator, theremin, spark gap, and saw blades), Walter Funk III (jokers Ulysses and Cupid constructed by Fred 'Spaceman' Long, Bug (Tom Nunn), vocoder, Hologlyphic Funkaliser and other electronix), Reid Johnston (guitube, guitar, tools, horns, harmonium, hardware, bikewheel), Lenny Bove (bass, electronics, vocals), Elizabeth Perry (atmospheric female vocals thrown in for good measure), and Dean Cook (drums).

Tracks 1-12 from   "Cauldron"
       13-14 from   "Ingredients'
       15-18 From   "Live And Unreleased"
       19-24 from    "Sing Like Scaffold"



ARE YOU READY TO TESTIFY?

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The MC5 were an American rock band from Lincoln Park, Michigan, formed in 1964. The original band line-up consisted of vocalist Rob Tyner, guitarists Wayne Kramer and Fred "Sonic" Smith, bassist Michael Davis, and drummer Dennis Thompson. "Crystallizing the counterculture movement at its most volatile and threatening", according to AllMusic critic Stephen Thomas Erlewine, the MC5's far left political ties and anti-establishment lyrics and music positioned them as emerging innovators of the punk movement in the United States. Their loud, energetic style of back-to-basics rock 'n' roll included elements of garage rock, hard rock, blues rock, and psychedelic rock.

MC5 had a promising beginning which earned them a January 1969 cover appearance in Rolling Stone and a story written by Eric Ehrmann before their debut album was released. They developed a reputation for energetic and polemical live performances, one of which was recorded as their 1969 debut album Kick Out the Jams. Their initial run was short-lived, though. In 1972, just years after their debut record, the band came to an end. MC5 was often cited as one of the most important American hard rock groups of their era.ick Out the Jams" is widely covered.

Tyner died of a heart attack in late 1991 at the age of 46. Smith also died of a heart attack, in 1994 at the age of 45. The remaining three members of the band reformed in 2003 with The Dictators' singer Handsome Dick Manitoba as its new vocalist, and this reformed line-up occasionally performed live over the next nine years until Davis died of liver failure 



DKT\MC5
Live at the Ancienne Belgique, Brussels, Belgium, February 24, 2005. Very good soundboard.

They told you in school about freedom
But when you try to be free they never let ya
They said “it’s easy , nothing to it”
And now the army’s out to get ya
Sixty nine America in terminal stasis
The air’s so thick it’s like drowning in molasses
I’m sick and tired of paying these dues
And i’m finally getting hip to the American ruse

I learned to say the pledge of allegiance
Before they beat me bloody down at the station
They haven’t got a word out of me since
I got a billion years probation
- The American Ruse (MC5)

‘We wrote a song a long time ago about a time in America when there was a war going on and we didn’t like it. And today there is a war going on and we don’t like it,” guitarist Wayne Kramer says before the band dives into The American Ruse.

The song, The American Ruse, appeared on the MC5’s second album, Back In The USA, in 1970. At that time the United States were stuck in the Vietnam War and MC5 were already at the forefront protesting against the war. Thirty-five years later, the United States is stuck in Iraq and Afghanistan and the remaining members of MC5 - Wayne Kramer, Dennis Thompson and Michael Davis - are on a European tour as DKT/MC5, the group now augmented by Handsome Dick Manitoba (Dictators), Gilby Clarke (Guns N’ Roses) and Lisa Kekaula (Basement Jaxx), and they still have that protest fire in their belly.

Detroit’s MC5 were alternative before there was an alternative and they were punk before the movement took hold. While many critics call them protopunks, in an interview, Kramer said: “I think if there’s one thing the punks picked up from us, it was our do-it-yourself ethic - that you don’t have to follow the program, and you don’t have to wait until society says it’s okay to do your thing.”

With Handsome Dick sounding like a clean-cut Jello Biafra and Lisa Kekaula strutting out the blues (after all MC5 had no problem mixing rock/punk and jazz), the band ran through a greatest-hits package that showed that musically they still got the chops and, more importantly, they still have the balls and that political sting.



Disc 1
01. Ramblin’ Rose
02. I Can Give You Everything
03. Tonight
04. Call Me Animal
05. Sister Anne
06. High School
07. The American Ruse
08. Motor City Is Burning
09. Over & Over Pt 1
10. Over & Over Pt 2
11. Shakin’ Street
12. Lookin’ At You
13. Miss X
14. The Human Being Lawnmower
15. Kick Out The Jams
16. I Believe To My Soul

Disc 2
01. Rama Lama Fa Fa Fa
02. Starship 

Bonus tracks
03. Skunk [Coogee Bay ‘04]
04. Future/Now [Melbourne ‘04]
05. I Want You Right Now [Melbourne ‘04]
06. Teenage Lust [Melbourne ‘04]

Lineup:
Wayne Kramer - guitar
Dennis Thompson - drums
Michael Davis - bass
Lisa Kekaula - vocals
Gilby Clarke - guitar
Handsome Dick Manitoba - vocals


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