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THE MATRIX PROJECT

March 17, 2014, 11:29 am
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 I was surfing around the internet ( As Always) looking for something new and different. I came across  this 8 volume set of concerts from the Fillmore and Matrix. I guess these have been around for a little while and I do not know how I missed them. Anyhow It looks as if this new set of shows is intended to extend the SF Nights- KSAN vault series. The file is all one show and latter I may break them down to individual tracks but that takes some time so you get the whole show for now. So enjoy them and if you haven;t heard them before it is a treat. The bit rate is all other the place and I did not adjust it it anyway. The artwork is the original included and The poster presentation is a nice touch


ONOV Vol. 1
The Blues Project - The Matrix [09-07-66]
(acquired from reel source) (Stereo)

01 Goin' Down Louisiana (04:10)
02 Steve's Song (03:45)
03 I Can't Keep From Crying (04:24)
04 Caress My Baby (07:11)
05 Flute Thing (07:13)
06 Wake Me Shake Me (08:42)
07 Kerri's Shuffle (03:29)
08 Jelly Jelly Blues (skips towards the end) (06:44)
09 You Can't Catch Me (05:23)
10 Shake That Thing (03:35)
11 You Can't Judge A Book By Looking At The Cover (05:33)
12 Hoochie Coochie Man (05:13)
13 If You Don't Come Back (04:50) [Total Time 70:12]

http://mir.cr/IIBVIODV

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FILLMORE CREAM

March 17, 2014, 6:18 pm
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 Okay I know that this is volume 4 . We will return to 2 and 3 after the others have been posted. There is a little story behind those two selections so be patient and we;ll get to them. In the meantime here is Cream live at the Fillmore West. Sound quality is not as nice as I would like but alas it does come from 1967

                                                                       ONOV Vol. 4

Cream - Fillmore West [08/67]
(acquired from reel source) (Stereo)

01 Sunshine Of Your Love (06:07)
02 N.S.U. (09:26)
03 Steppin' Out (11:05)
04 Traintime (08:47)
05 Toad (intro) (00:48)
06 Tales Of Brave Ulysses (04:21)
07 Spoonful (15:38)
08 Crossroads (03:51)
09 We're Going Wrong (06:22)
10 Sweet Wine (11:05)
[Total Time 76:10]

http://mir.cr/U7A3CXUD

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A MARVELOUS NIGHT FOR A MOONDANCE

March 18, 2014, 5:02 pm
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ONOV Vol. 5
Van Morrison - Fillmore West [04/26/70]
(acquired from reel source) (Stereo)

01 Moondance (04:42)
02 Glad Tidings (03:49)
03 Crazy Love (02:53)
04 Come Running (06:28)
05 The Way Young Lovers Do (03:19)
06 Everyone (02:55)
07 Brown Eyed Girl (02:11)
08 And It Stoned Me (04:11)
09 These Dreams Of You (03:45)
10 Caravan (06:37)
11 Cypress Avenue (12:16)
12 Into The Mystic (05:32)
[Total Time 58:41]

http://mir.cr/SSMIGK53

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40 YEARS AFTER

March 18, 2014, 7:11 pm
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A few pros and cons about this series......pretty nice grapics even though they do repeat themselves from volume to volume with only the poster addition to help the presentation. fairly good sound on most of the files although for the most part I think they have all circulated as boots before. My biggest point is this.....none of the featured performers were SF originals however it reflects the importance the ballrooms in SF had on attracting such a wide variety of musicians to the scene. Your comments are welcome!


 ONOV Vol. 6

Ten Years After - Fillmore West [06/28/68]
(acquired from reel source) (Stereo)

01 Help Me (13:14)
02 Rock Me Baby (03:15)
03 Spoonful (06:07)
04 I May Be Wrong, But I Won't Be Wrong Always (10:34)
05 No Title (09:10)
06 Summertime Garbage (06:04)
07 Spider In My Web (09:21)
08 Crossroad (04:05)
09 Woodchopper's Ball (09:20) [Total Time 70:30]


http://mir.cr/EIC2KTVR


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FLOYDIAN FILLMORE

March 19, 2014, 6:39 pm
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 ONOV Vol. 7
Pink Floyd - Fillmore West [04/29/70]
(acquired from reel source) (Stereo)

01 Grantchester Meadows (07:00)
02 Astronomy Domine (10:20)
03 Cymbaline (11:27)
04 Atom Heart Mother (20:21)
05 Embryo (11:23)
[Total Time 60:31]
http://mir.cr/LNGHMAFK

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FLOYDIAN FINISH

March 19, 2014, 6:44 pm
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ONOV Vol. 8
Pink Floyd - Fillmore West [04/29/70]
(acquired from reel source) (Stereo)

01 Green Is The Color (04:35)
02 Careful With The Axe, Eugene (11:28)
03 Set The Controls For The Heart Of The Sun (12:47)
04 Saucerful Of Secrets (22:43)
05 Interstellar Overdrive (15:37) [Total Time 66:30]

http://mir.cr/0QRZ0NIQ


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MATRIX DOORS

March 23, 2014, 8:35 am
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ONOV Vol. 2
The Doors - The Matrix [03-07,10-67]
(acquired from reel source) (Stereo)

01 My Eyes Have Seen You (03:24)
02 Soul Kitchen (06:06)
03 I Can See Your Face In My Mind (03:18)
04 People Are Strange (02:19)
05 When The Music's Over (12:12)
06 Money (03:27)
07 Who Do You Love (04:43)
08 Moonlight Drive (06:08)
09 Summer's Almost Gone (03:52)
10 I'm A King Bee (04:30)
11 Gloria (05:56)
12 Break On Through (04:53)
13 Summertime (08:48)
14 Back Door Man (05:35)
15 Alabama Song (03:22)
[Total Time 71:10]

http://mir.cr/09L9HST2

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MATRIX DOORS 2

March 23, 2014, 8:54 am
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It is apparent that these two Doors sets were pulled from the Complete Matrix Doors Bootleg which was 4 CD's There was an officially released version of this material in 2008 but it was produced so badly that most Doors fans were offended by the work. The record company promised an upgraded version in 2010 but so far it has not materialized
This is the only reasonable-fidelity document of the Doors before they became superstars; their first album had been out for a couple of months, but "Light My Fire" (the earliest widely circulated live version of which is here) was yet to even be released as a single. As a consequence there's a hungry edge missing from their later live gigs, and a more unpredictable set list, taking in not only most of the first album but also relatively obscure tracks from the second and third LPs, like "I Can't See Your Face in My Mind" and "Summer's Almost Gone." And there's a whole bunch of cover tunes they would never release in studio versions, like "Get Out of My Life Woman,""Who Do You Love?,""Rock Me,""I'm a King Bee" (with Manzarek on vocals), "Gloria," a lengthy instrumental take on "Summertime," and "Money." There's a bar band ambiance that will take some listeners aback, and not many people in the audience, judging from the tennis match-style clapping heard at the end of most numbers. the Doors  play well, however, and the two shows are notably different from each other, although many of the same tunes appear in two different versions on this package. 

There are two tracks from Traffic at the end used as filler I left them intact until I can delete them later
                                                                                        ONOV Vol. 3
The Doors - The Matrix [03-07,10-67]
(acquired from reel source) (Stereo)

01 Light My Fire (08:48)
02 The End (14:49)
03 Get Out of My Life Woman (04:28)
04 Close To You (03:49)
05 Crawling King Snake (06:01)
06 The Crystal Ship (03:19)
07 20th Century Fox (03:02)
08 Unhappy Girl (04:06)
09 Rock Me Baby (08:34)

Traffic - Fillmore West [03-14-68]
06. Coloured Rain (08:57)
07. No Face, No Name, No Number (04:15)
[Total Time 68:48]

                                                                                    http://mir.cr/0U7LMR6D
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AT THE AVALON

March 24, 2014, 6:55 pm
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 Since I have been posting some of the San Francisco ballroom shows I thought I would continue with a few more. It seems fitting to include a few from the Avalon or maybe the Carousel.

The Byrds 11/02/68 Avalon Ballroom San Francisco CA

01 Old Blues
02 My Back Pages/Baby What You Want Me To Do
03 Mr. Spaceman
04 Time Between
05 Goin Back
06 Blue Suede Shoes
07 He Was A Friend Of Mine
08 So You Want To Be A Rock N Roll Star
09 Drug Store Truck Driving Man
10 This Wheel's On Fire
11 Stanley's Song
12 Pretty Boy Floyd
13 Eight Miles High
14 You Don't Miss Your Water
15 So You Want To Be A Rock N Roll Star
16 Hickory Wind
17 King Apathy III
18 Bad Night At The Whiskey
19 Nashville West
http://mir.cr/0PCRLZYQ

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AVALON ELEVATORS

March 25, 2014, 12:50 pm
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 This quasi-legal production has shown up in other packages (and titles) since its original issue. It's a fair-quality tape of a 1966 concert that's a decent document for fans. The versions don't differ a heck of a lot from the ones on the records, though "Splash I," given a more forceful and full-bodied folk-rock arrangement, is a notable exception. There are also a few somewhat unexpected covers, like "Roll Over Beethoven,""You Really Got Me," Buddy Holly's "I'm Gonna Love You Too," and the Beatles'"The Word." I added track 12 to this set simply because it's pretty much the Elevator's signature song.

While much of the 13th Floor Elevators’ popularity today rests upon their studio albums and 45s, this wasn’t always the case. Especially not in Texas, where the Elevators first became famous as an outstanding live act, with a combination of ferocious drive and dark mystique that was unlike anything seen before. When the Psychedelic Sounds LP was released in late ‘66, some fans in their hometown Austin felt it was missing a bit of the captivating energy they associated with the band. Even Tommy Hall, the band’s lyricist and intellectual nexus, stated in a 1989 interview that “our real show was live”.

The Elevators never felt entirely at home in San Francisco, although fellow Texan Chet Helms offered them many chances to play at the Avalon. Compiled from those gigs, the Avalon ’66 Tape gives terrific proof of the band’s prowess. Ronnie Leatherman’s bass adds a steady, almost majestic power to newly added numbers like “Before You Accuse Me” and (arguably the high-point) “You Don’t Know”. Compared with the fire-breathing r’n’b drive of the Spring ’66 recordings, updated covers of “The Word” and “You Really Got Me” show the band moving towards a more mature, acid-rock sound. The tape shows, quite simply, a great 60s rock band at the peak of their powers.


 1.  Everybody Needs Somebody To Love
2.  Before You Accuse
3.  You Don't Know
5.  I'm Gonna Love You Too
6.  You Really Got Me
4.  Splash
7.  Fire Engine
8.  Roll Over Beethoven
9.   The Word
10. Monkey Island
11. Roller Coaster
12. You're Gonna Miss Me
http://mir.cr/10RI5BE7

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BANANA?

March 26, 2014, 4:46 pm
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The Youngbloods could not be considered a major '60s band, but they were capable of offering some mighty pleasurable folk-rock in the late '60s, and produced a few great tunes along the way. One of the better groups to emerge from the East Coast in the mid-'60s, they would temper their blues and jug band influences with gentle California psychedelia, particularly after they moved to the San Francisco Bay Area. For most listeners, they're identified almost exclusively with their Top Ten hit "Get Together," but they managed several respectable albums as well, all under the leadership of singer/songwriter Jesse Colin Young.

Young got his start on the folk circuits of Boston and New York, and had already cut a couple of solo albums before forming the Youngbloods. John Sebastian was one of the supporting musicians on Young's second LP, and comparisons between the two — and between the Youngbloods and the Lovin' Spoonful — are inevitable. Both groups offered good-timey folk-rock with much stronger jug band influences than West Coast rivals like the Byrds, though the Youngbloods made greater use of electric keyboards than the Spoonful, courtesy of the enigmatically named Lowell "Banana" Levinger. The Youngbloods didn't craft nearly as many brilliant singles as the Lovin' Spoonful, but (unlike the Spoonful) endured well into the hippie/psychedelic era.

While Young was always the focal point of the band, their first two albums also had songwriting contributions from guitarist Jerry Corbitt. Produced by Felix Pappalardi (who also worked with Cream), these records (The Youngbloods and Earth Music) were engaging and mature, if inconsistent, folk-rock. Corbitt's "Grizzly Bear" was a small hit, as was "Get Together," a Dino Valenti song that had previously been recorded by Jefferson Airplane. The Youngbloods' slow, soulful interpretation of "Get Together" was definitive, but it wouldn't reach the Top Ten until it was re-released in 1969, after the song had been used in a television public service ad.


March 30, 1969
The Avalon Ballroom, San Francisco, CA.
FM Radio.

1. Ride the Wind
2. Sugar Babe
3. Four in the Morning
4. Too much monkey Business
5. Banana's
6. Dolphins
7. The Wine Song
8. Darkness, Darkness
9. Beautiful
http://mir.cr/MPDREETC

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ALL STAR JAM AT THE MATRIX

March 27, 2014, 3:44 pm
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Disc One:
The Matrix, San Francisco, California, August 4th 1970.

John Cipollina
Carlos Santana
Dino Valenti
Jack Casady
Jorma Kaukonen
Nicky Hopkins
Gary Duncan

01. Rock Me Baby
02. Stormy Weather
03. Sunshine Superman Jam
04. Santana Jam

Disc Two :
The Matrix, San Francisco, California, October 21st 1970.

John Cipollina
Jerry Garcia
David Freiberg
Papa John Creach
Jack Casady
Jorma Kaukonen
Nicky Hopkins

01. Jam 1
02. Jam 2
03. Jam 3
04. Jam 4

                                                                    http://mir.cr/F5PN42H8        
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PLAYIN' THE FOOL

March 31, 2014, 10:00 pm
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Happy April Fool's Day
Here are 24 tunes to hum or sing your day away. You will not find the traditional fool songs in this batch only those carefully selected by 24 hr. Going to take a break so see you in a few!

01  fool's gold - poco
02  i'm a fool - dino,desi, & billy
03  fool for the city - foghat
04  ship of fools - spirit
05  what a fool believes - doobie brothers
06  dancin' fool - frank zappa
07  the fool on the hill - beatles
08  foolish heart - grateful dead
09  foolin' around (the waltz) - youngbloods
10  ship of fools - grateful dead
11  dancin' fool - guess who
12  i won't be your fool no more - black,estrada. & pini
13  won't get fooled again - who
14  foolhearted woman - peanut butter conspiracy
15  fools and friends -  knowbody else
16  how could i be such a fool - mothers of invention
17  fools - deep purple
18  love's made a fool of you - ruby starr
19  fool - blue cheer
20  fool in the rain - led zeppelin
21  ship of fools - doors
22  fool to cry - rolling stones
23  fooled around and fell in love - elvin bishop
24  the fool - quicksilver messenger service
 
http://mir.cr/1UCIGHFZ

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THE ORIGINAL MAC

April 4, 2014, 5:26 pm
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01  my heart beats like a hammer
02  merry go round
03  long grey mare
04  hellhound on my trail
05  shake your moneymaker
06  looking for somebody
07  no place to go
08  my baby's good to me
09  albatross
10  cold black night
11  the world keep on turning
12  got to move
13  the green manalishi
14  oh well (pt1)
15  oh well( pt2)
16  dragonfly
17  black magic woman
18  closing my eyes
19  coming your way
20  rattlesnake shake
21  showbiz blues
22  stop messin' around
23  madison blues
24  jenny jenny

 
http://mir.cr/1AAK7GE3



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PLEASE STAND BY

April 6, 2014, 4:28 pm
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As many of you know the Microsoft support ends soon on the XP operating system. My desktop still uses that system so therefore It will no longer be safe to use the internet from that OS. I will have to upgrade to a new computer with a new OS as windows 7 or 8 but it may be awhile. I will try to stay in touch via a laptop but to do things efficiently I will have to upgrade. The posting will be a little more infrequent but I will get back into full swing hopefully soon.
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AUTHURLY IN 93

April 12, 2014, 8:41 am
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Arthur Lee Live
(actually Arthur Lee backed by The Cheetahs)
1993-10-04  Northampton, Massachusetts  Northampton Center For The Arts 

01. Alone Again Or
02. Orange skies
03. My Little Red Book
04. Andmoreagain
05. L.A. Caloca
06. That's The Way It Goes
07. Signed D.C.
08. Stephanie Knows Who
09. A House Is Not A Motel
10. Singing Cowboy
11. She Comes In Colors
12. 7 & 7 Is
13. Can't Explain
14. Everybody's Gotta Live       

Total Time ::: 57:26

::: Perfect digital stereo SBD recording. 

http://mir.cr/0X6ZCOBH

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BAROQUE ROCK

April 13, 2014, 10:58 am
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The Left Banke is an American baroque pop band that formed in New York City in 1965, disbanded in 1969, and reformed in 2011 They are best remembered for their two US hit singles, "Walk Away Renée" and "Pretty Ballerina".The band often utilized what the music press referred to as "baroque" string arrangements, which led to their music being variously termed as "Bach-rock", "baroque rock", or "baroque 'n' roll" On most of their reunion dates, the group was joined onstage by a two or three-piece string section and even a guest oboe player for one or two shows.

                                                                            
    Disc One   46:05

01. intro & tuning & talk  2:33
02. She May Call You Up Tonight  2:08
03. I've Got Something On My Mind  2:59
04. Pretty Ballerina  3:29
05. Dark Is The Bark  3:55
06. Barterers And Their Wives  3:51
07. Goodbye Holly  2:59
08. Let Go Of You Girl  3:44
09. Heartbreaker  3:59
10. Sing Little Bird Sing  3:54
11. Nice To See You  4:21
12. My Friend Today  5:08
13. Shadows Breaking Over My Head  2:59

    Disc Two   44:13

14. I Can Fly  4:57
15. Love Songs In The Night  1:59 >
16. Lazy Day  2:57
17. Bryant Hotel  4:27
18. Two By Two  4:29
19. Evening Gown  2:14
20. I Haven't Got The Nerve  5:00
21. There's Gonna Be A Storm  3:57
22. Desiree  3:38
23. Walk Away Renee  2:38
24. ovation & talk  2:38
Encore
25. City Life  5:13

Paul Alves - guitar, vocals
Susan Aquila - violin
George Cameron - vocals, tambourine, cowbell
Charlie Cazalet - bass
Joanne Choi - cello
Mickey Finn - keyboards
Tom Finn - vocals, guitar
Mike Fornatale - vocals
Rick Reil - drums, vocals

http://mir.cr/1K6A1FNX

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THAT SPOONFUL

April 16, 2014, 2:10 pm
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I am going to revisit some of my posts from the early years of this site.
I ran a series of compilations that were called Basic Garage Mechanics. Essentially they were songs that I felt every garage band had in their repertoire. Every local band played at least 2 or 3 of these songs.  
I have put together a fresh look at each of the songs and their importance to the genre of garage bands.

 SPOONFUL

"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs. Etta James had a pop and R&B record chart hit with "Spoonful" in 1961 and it was popularized in the later 1960s by the British rock group Cream.

Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton (Paramount 12869),itself related to "All I Want Is A Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927). The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, or drugs.

    It could be a spoonful of coffee, it could be a spoonful of tea
    But one little spoon of your precious love, is good enough for me
    Men lies about that spoonful, some of them dies about that spoonful
    Some of them cries about that spoonful, but everybody fight about that spoonful...

01  willie dixon and howlin' wolf
02  allman joys
03  etta james
04  paul butterfield blues band
05  blues creation
06  ten years after
07  canned heat
08  cream
09  grateful dead
10  chris whitley
11  willie king and the liberators
12  aquarium rescue unit
13  shadows of knight
14   blues project
15  q65
16  vivian campbell
17  radiators
18  zero
19  jack bruce & mick taylor
20  govt mule
21  harry manx
22  izzy stradlin
23  ronnie wood
24  robert plant & sensational space shifters
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BABY PLEAZ........

April 17, 2014, 5:58 pm
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Baby, Please Don't Go


"Baby, Please Don't Go" is a classic blues song which has been called "one of the most played, arranged, and rearranged pieces in blues history"] It was popularized by Delta blues musician Big Joe Williams, who recorded the first of several versions of the song in 1935. Its roots have been traced back to nineteenth-century American songs, which deal with themes of bondage and imprisonment. "Baby, Please Don't Go" became an early blues standard with recordings by several blues musicians.

After World War II, it was adapted by Chicago blues as well as rhythm and blues artists. Later, it became a popular rock song after it was recorded by the Northern Irish group Them in 1965. Several rock performers have followed Them's updated rock arrangement, with many recordings of the song. "Baby, Please Don't Go" has been inducted into both the Blues Foundation Hall of Fame and Rock and Roll Hall of Fame. 

The Amboy Dukes version of the tune is an oustanding  representation of how this song developed in the psychedelic days of the 60's. Not every garage band played this one but it was a staple by many blues based rock and rollers.

 01  big jow williams
02  lightnin' hopkins
03  them
04  rose mitchell
05  big bill broonzy
06  al kooper
07  sparrow
08  paul revere & the raiders
09  ballroom
10  oxford circle
11  amboy dukes
12  steppenwolf
13  papa john creach
14  beacon street union
15  gary gitter
16  muddy waters & the stones
17  john cipollina
18  butterfield's better days
19  budgie
20  mods
21  ac-dc
22  hank burnette
23  robin thush
                24  makoto ayukawa                   

 

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SHARECROPPER BLUES

April 19, 2014, 10:53 am
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                       TOBACCO ROAD


"Tobacco Road" is a song written and first recorded by John D. Loudermilk in 1960 that was a hit for The Nashville Teens in 1964 and has since become a standard across several musical genres.

Originally framed as a folk song, "Tobacco Road" was a semi-autobiographical tale of growing up in Durham, North Carolina. Released on Columbia Records, it was not a hit for Loudermilk, achieving only minor chart success in Australia. Other artists, however, immediately began recording and performing the song.

The English group The Nashville Teens' rendering was a bold effort featuring prominent piano, electric guitar and bass drum parts and a dual lead vocal: Mickie Most produced it with the same tough-edged-pop feel that he brought to The Animals' hits. "Tobacco Road" was a trans-Atlantic pop hit in 1964, reaching number 6 on the UK singles chart and number 14 on the U.S. singles chart. While the Teens would have some further success in England, in the U.S. "Tobacco Road" became another one-hit wonder of the British Invasion.

Tobacco Road" has been performed by a great number of other artists, often with slightly altered lyrics. Notable renderings include a soul one from Lou Rawls, a folk rock one from Jefferson Airplane on their debut album Takes Off, Mind Garage, a lengthy 17-minute version by Edgar Winter and his band, a sample on dead prez's Psychology, and others from Eric Burdon & War, Spooky Tooth, Status Quo, Bill Wyman and the Rhythm Kings, Steve Young, Love Affair, David Lee Roth, Aum, Tommy Cash, Blues Magoos, Blues Creation, Bobbie Gentry, Rare Earth, Jean-Jacques Goldman, Mud an unreleased version by Jimi Hendrix, Southern Culture on the Skids, Serbian rock bands Smak and Disciplin A Kitschme, and so on. It has been done as blues, country music, punk rock, or garage rock.

01 john d loudermilk

02  lou rawls
03  billy lee riley
04  brother jack mcduff
05  nashville teens
06  paul revere & the raiders
07  love affair
08  spooky tooth
09  jefferson airplane
10  mind garage
11  blues magoos
12  aum
13  mystic siva
14  edgar winter
15  dan seals
16  jamul
17  junior wells
18  nobili
19  shocking blue
20  status quo
21  love society
22  bill wyman
23  hobo blues band
24  rare earth

http://mir.cr/8YSRLHXO

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